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Author |
Messick, Kyle J. |
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Title |
Music Industry in Crisis: the Impact Of a Novel Coronavirus on Touring Metal Bands, Promoters, and Venues |
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Book Chapter |
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Year |
2021 |
Publication |
The Societal Impacts of Covid-19: A Transnational Perspective |
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93-108 |
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Keywords |
Music Industry; Tours; COVID-19 |
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Istanbul University Press |
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Istanbul |
Editor |
Bozkurt, Veysel; Dawes, Glenn; Gülerce, Hakan; Westenbroek, Patricia |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2103 |
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Author |
Uribe Álvarez, José Jefferson |
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Title |
DEL ROCK AL METAL EXTREMO EN COLOMBIA. DISCURSOS COMO FORMA DE INTERVENCIÓN, VISIBILIZACIÓN Y DENUNCIA A PARTIR DE UNA GUERRA INTERMINABLE |
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Journal Article |
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Year |
2022 |
Publication |
Metal de Habla Hispana |
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1 |
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Pages |
93-99 |
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Keywords |
Colombia; Music History; War |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
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2507 |
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Author |
Martínez Garcia, Sílvia |
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Title |
La production de genres : analyses depuis les périphéries du heavy metal |
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Journal Article |
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Year |
2006 |
Publication |
Volume! La revue des musiques populaires |
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Volume |
5 |
Issue |
2 |
Pages |
91-113 |
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fr |
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1634-5495 |
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UCM - CAM @ amaranta.saguar.garcia @ martinez_garcia_production_2006 |
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129 |
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Author |
Thibodeau, Anthony J.; Bond, Sage |
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Title |
“A Whole New Type of Isolation”: Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020–2021 |
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Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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91-112 |
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Keywords |
Navajo nation; COVID-19 Pandemic; Resilience |
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Lexington Books |
Place of Publication |
London |
Editor |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2426 |
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Author |
Karbownik, Karolina |
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Title |
Counter…what? Metal Music and Its Culture in the 21st Century |
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Journal Article |
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Year |
2022 |
Publication |
Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura |
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30 |
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91-100 |
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Counterculture; Sociology |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2598 |
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Author |
Vidal, Yanina |
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Title |
Repensar y refundar la P(M)atria: los tópicos del siglo XIX en el metal oriental en Cuchillagrande, Pecho E' Fierro y Libertad o Muerte |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
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Pages |
90-98 |
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Keywords |
Topics; Rhetoric; Cuchillagrande (band); Pecho e' Fierro (band); Libertad o Muerte (band); Uruguay; Latin America; Nationalism; Non-western scenes |
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Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
Editor |
Scaricaciottoli, Emiliano; Minore, Gito |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2153 |
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Author |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson |
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Title |
Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries |
Type |
Book Chapter |
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Year |
2022 |
Publication |
Music, Sound, and Documentary Film in the Global South |
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Pages |
89-112 |
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Keywords |
Latin America; Documentary films |
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Abstract |
Description of entire book:
“Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project.
Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.” (source: Lexington Books) |
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https://rowman.com/Action/SERIES/LEX/LEXEXSS |
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Lexington Books |
Place of Publication |
Lanham, Maryland |
Editor |
Ballengee, Christopher L. |
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English |
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Extreme Sounds Studies: Global Socio-Cultural Explorations |
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978-1-66690-295-2, 978-1-66690-296-9 |
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Hardback |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2521 |
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Author |
Špoljarić, Bernard |
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Title |
The Goat-God Motif in Heavy Metal Music: The Relevance and Meaning of the God Pan in the Black Metal Project – Arckanum |
Type |
Journal Article |
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Year |
2021 |
Publication |
Studia Polensia |
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10 |
Issue |
1 |
Pages |
87-114 |
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Keywords |
Aesthetics; Motifs; Pan (god); Pan (mythos); Arckanum (band) |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2254 |
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Author |
Gibson, Dylan Lawrence |
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Title |
Mechanical and artificial “nü-horror metal”: The film music of “Resident Evil” |
Type |
Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
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Volume |
8 |
Issue |
1 |
Pages |
87-108 |
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Keywords |
Resident Evil (film); Film music; Nü-Metal; Industrial Metal |
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2052-3998 |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2265 |
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Author |
Hissen |
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Title |
Score for a spatial composition |
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Year |
2017 |
Publication |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
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86-104 |
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Drone metal |
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Void Front Press |
Place of Publication |
St. Louis |
Editor |
Coggins, Owen; Harris, James |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2173 |
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