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LeVine, M. (2008). Heavy metal Muslims: the rise of a post-Islamist public sphere. Contemporary Islam; Dordrecht, 2(3), 229–249.
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Harbert, B. J. (2013). Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha. In T. Burkhalter, K. Dickinson, & B. J. Harbert (Eds.), The Arab Avant-Garde: Music, Politics, Modernity (pp. 229–272). Middletown: Wesleyan University Press.
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Ribeiro, H. (2016). Heavy, Death and Doom Metal in Brazil: A Study on the Creation and Maintenance of Stylistic Boundaries within Metal Bands. In F. Heesch, & N. Scott (Eds.), Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches (pp. 227–244). New York & London: Routledge.
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Díaz, N. V. (2019). Coloniality and Resistance in Latin American Metal Music: Death as Experience and Strategy. HIOL: Hispanic Issues On Line, (23), 226–251.
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Wang, Y. (2015). Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 219–229). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Núñez, M. de la L., & Rivas, A. (2018). Musical representation in times of violence: The origins of Peruvian metal music during the general crisis of the eighties. Metal Music Studies, 4(1), 219–229.
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Castañeda Maldonado, M. E. (2020). The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 219–238). Lanham: Lexington Books.
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Grant, S. (2016). From Umm Kulthum to Orphaned Land: The influence of female musicians in constructing Israeli/Palestinian narratives. Metal Music Studies, 2(2), 215–232.
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Ferrarese, M. (2015). Eastern Desekratorz and Nuclear Metal Lust:1 Performing ‘Authentic’ black metal in Malaysian Borneo. Metal Music Studies, 1(2), 211–231.
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Núñez, M. de la L., & Rivas, A. (2018). Representaciones musicales en tiempos de violencia: Orígenes del metal peruano durante la crisis general de los años ochenta. Metal Music Studies, 4(1), 209–218.
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