| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Calvo, Manuela Belén |
Las escenas de la música metal: discusión teórica a partir del caso de la provincia de Buenos Aires |
2018 |
Question |
1 |
22 |
| Mackenzie, James Alexander |
Tech noir: Aesthetic connections between Burroughs’ Naked Lunch and contemporary extreme metal |
2018 |
Metal Music Studies |
4 |
25-40 |
| DiGioia, Amanda; Naylor Davis, Charlotte |
Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
27-42 |
| Pilo, Baptiste |
True Norwegian Black Metal: Nationalism and Authenticity in the Norwegian Black Metal of the ‘90s |
2018 |
Sounds of origin in heavy metal music |
|
41-70 |
| Udarchik, Anastasia |
‘If you got a tape on, you’re committed’: The revival of cassette tapes in Toronto’s New Wave of Traditional Heavy Metal scene |
2018 |
Metal Music Studies |
4 |
41-59 |
| Spracklen, Karl |
Throat singing as extreme Other: An exploration of Mongolian and Central Asian style in extreme metal |
2018 |
Metal Music Studies |
4 |
61-80 |
| Heritage, Gareth |
Torment[Her] (Misogyny as an Artistic Device): Alternative Perspectives on the Misogynist Aesthetic of W.A.S.P.’s ‘The Rack’ |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
61-80 |
| Busey, Sean D. |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
2018 |
|
|
67 |
| Frangioni, Tommaso; Masina, Filippo; Pieroni, Giulio; Venturella, Mario |
Son(g)s of Darkness: Identities in Italian Black Metal |
2018 |
Sounds of origin in heavy metal music |
|
71-94 |
| Hoffin, Kevin |
Decay as a black metal symbol |
2018 |
Metal Music Studies |
4 |
81-94 |
