| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Swist, Jeremy J. |
Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal |
2019 |
Metal Music Studies |
5 |
35-51 |
| Helden, Imke von |
Scandinavian metal attack: the power of Northern Europe in extreme metal |
2010 |
Heavy fundametalisms: music, metal and politics |
|
31-41 |
| Mackenzie, James Alexander |
Tech noir: Aesthetic connections between Burroughs’ Naked Lunch and contemporary extreme metal |
2018 |
Metal Music Studies |
4 |
25-40 |
| Kahn-Harris, Keith |
End of the World Music: Is Extreme Metal the Sound of the Apocalypse |
2009 |
The end all around us: apocalyptic texts and popular culture |
|
22-42 |
| Kahn-Harris, Keith |
‘Roots’? the relationship between the global and the local within the Extreme Metal scene |
2000 |
Popular Music |
19 |
13-30 |
| Kahn-Harris, Keith |
An Orphaned Land? Israel and the Global Extreme Metal Scene |
1999 |
New voices in Jewish thought. Vol. 2 Vol. 2 |
|
1-21 |
| Rubio, Salva |
Metal extremo: 30 años de oscuridad (1981-2011) |
2011 |
|
|
|
| Scott, Niall (ed) |
The metal void: first gatherings |
2010 |
|
|
|
| Walsh, Ashley |
“A great heathen fist from the North”: Vikings, Norse Mythology, and Medievalism in Nordic Extreme Metal Music |
2013 |
|
|
|
| Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark (eds) |
Heavy metal: controversies and countercultures |
2013 |
|
|
|
