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Brown, A. R., Spracklen, K., Scott, N. W. R., & Kahn-Harris, K. (Eds.). (2016). Global metal music and culture: current directions in metal studies. New York & London: Routledge.
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Cheung, O. W. J. (2016). Heavy metal music lyrics: identity construction and social struggle. Ph.D. thesis, Hong Kong Polytechnic University, Hong Kong.
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Deeks, M. D. (2016). National Identity in Northern and Eastern European Heavy Metal. Ph.D. thesis, University of Leeds, Leeds.
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Manea, I. M. (2016). Valhalla Rising: The Construction of Cultural Identity through Norse Myth in Scandinavian and German Pagan Metal. Ph.D. thesis, University of Bucharest, Bucharest.
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Heinen, S. (2017). ”Odin rules”: Religion, Medien und Musik im Pagan Metal. Bielefeld: Transcript.
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Karjalainen, T. - M. (Ed.). (2018). Sounds of origin in heavy metal music. Cambridge: Cambridge Scholars Publishing.
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Hill, R., & Spracklen, K. (Eds.). (2010). Heavy fundametalisms: music, metal and politics. Oxford: Inter-Disciplinary Press.
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Mulvany, A. P. (2000). ”Reawakening pride once lost”: indigeneity and European folk metal. Ph.D. thesis, Wesleyan University, Middletown.
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Pack, C. (2015). Salvadoran Metal and the Questioning of National Identity. Ph.D. thesis, John Hopkins University, Baltimore.
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Elovaara, M. (2017). Thor and trolls, flutes and fiddles: ”folk” in metal. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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