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Fernández Lozano, M. (2020). The Metal Scene in Havana, Cuba: An Assessment of Its Cultural Development from 2007 to 2017. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 133–160). Lanham: Lexington Books.
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Varas-Díaz, N., Azevedo, C., & Nevárez, D. (2018). Metal in Latin America. Metal Music Studies, 4(1), 131–135.
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Núñez, M. de la L. (2021). The stones sing: The mestizo metal music of Kay Pacha and Yana Raymi. Metal Music Studies, 7(1), 129–138.
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Avelar, I. (2001). Defeated Rallies, Mournful Anthems, and the origins of Brazilian Heavy Metal. In C. A. Perrone, & C. Dunn (Eds.), Brazilian Popular Music & Globalization (pp. 123–135). Gainesville: University of Florida Press.
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Hecker, P. (2012). Turkish metal: music, meaning, and morality. In N. Scott (Ed.), Reflections in the Metal Void (pp. 121–142). Oxford: Inter-Disciplinary Press.
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Calvo, M. (2014). Diálogos que construyen un modo de nacionalismo argentino en el metal pesado argento de Almafuerte. In M. C. Dalmagro, & A. Parfeniuk (Eds.), Tensiones, tránsitos y desplazamientos. Reflexiones desde una perspectiva comparatística (pp. 120–137). Córdoba: Buena Vista Editores.
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Kahn-Harris, K. (2002). “I hate this fucking country”: Dealing with the Global and the Local in the Israeli Extreme Metal Scene. Music, Popular Culture, Identities, 19, 119–136.
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González Hernández, J. O. (2021). Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia. Metal Music Studies, 7(1), 119–128.
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Mattson, D. (2022). Att välja blasfemi. Blasfemisk identitet i turkisk svartmetal [Choosing blasphemy. Blasphemous identity in Turkish black metal]. In S. Sorgenfrei, & D. Mattson (Eds.), Blasfemi, heresi, kätteri, apostasi (pp. 119–131). Istambul: Svenska Forskningsinstitutet i Istanbul & Föreningen Svenska Istanbulinstitutets Vänner.
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Fu Yu Sin, K., & Khiun, L. K. (2016). From folk devils to folk music: tracing the Malay heavy metal scene in Singapore. In G. Bloustien, M. Peters, & S. Luckman (Eds.), Sonic synergies: music, technology and community, identity (pp. 115–123). Aldershot: Ashgate.
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