|
|
Kahn-Harris, K. (2001). Transgression and mundanity: the global extreme metal music scene. Ph.D. thesis, Goldsmiths College, London.
|
|
|
|
Dairianathan, E. I. (2009). Vedic metal and the South Indian community in Singapore: problems and prospects of identity. Inter-Asia Cultural Studies, 10(4), 585–608.
|
|
|
|
Dairianathan, E. (2012). The Burden of Song: Vedic Metal in Singapore. Journal of Creative Communications, 7(3), 243–260.
|
|
|
|
Dairianathan, E. (2011). Soundscapes in Vedic metal: a perspective from Singapore. Perfect Beat, 12(2), 167–189.
|
|
|
|
Dairianathan, E. (2013). Vedic metal and e-mediated space: a perspective from Singapore. Asian Journal of Communication, 23(4), 348–367.
|
|
|
|
Rubio, S. (2013). Doom, Goticismo y Metal Extremo. Herejía y belleza: Revista de estudios culturales sobre el movimiento gótico, 1, 185–200.
|
|
|
|
Lidauer, R. (2011). Extreme Metal. Ph.D. thesis, Universität für Musik und darstellende Kunst, Vienna.
|
|
|
|
Walzer, N. (2007). Les imaginaires satanique et païen: le cas de la musique métal extrême. Ph.D. thesis, Université Paris Descartes, Paris.
|
|
|
|
Williams, D. (2020). Embodying the Auschwitz ”Sonderkommando” in extreme metal. Metal Music Studies, 6(3), 319–336.
|
|
