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Castañeda Maldonado, M. E. (2020). The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 219–238). Lanham: Lexington Books.
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Nieves Molina, A. (2020). “La Periferia”: Marginal Contexts for Metal Music in the State of México. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 239–264). Lanham: Lexington Books.
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Rivera-Segarra, E., Ramos, J. W., & Varas-Díaz, N. (2020). “A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 287–304). Lanham: Lexington Books.
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Klausner, G. A. (2020). Differences in the Sociopolitical Perspectives of Brazilian and European Völkisch Metal. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 265–284). Lanham: Lexington Books.
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Nevárez Araujo, D. (2020). Metal Migration: The Latin American Diasporic Experience in Heavy Metal. In N. Varas-Díaz, D. Nevárez Araujo, & E. Rivera-Segarra (Eds.), Heavy Metal Music in Latin America: Perspectives from the Distorted South (pp. 305–332). Lanham: Lexington Books.
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Guberman, D. (2020). Teaching intercultural competence through heavy metal music. Arts and Humanities in Higher Education, 20(2), 115–132.
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Olsem Kirk N., Powell, M., Anic, A., Vallerand, R. J., & Thompson, W. F. (2020). Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience. Musicae Scientiae, OnlineFirst.
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Wojtala, M. (2020). Inspiracje II wojną światową w muzyce metalowej [Inspirations of the Second World War in metal music]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 212–225). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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Schmidt, A. (2020). Unten und im Norden: Mythische Bildsprache, Kunst und (Sub-)Kultur in der nordischen Schaffensperiode Helrunars. NORDEUROPAforum – Zeitschrift für Kulturstudien, Jhg. 2020, 194–227.
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Hill, R. L. (2021). When love and critique collide: Methodology ontology fandom and standpoint in metal research. Metal Music Studies, 7(2), 197–210.
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