| 
Citations
 | 
   web
Garza, J. M. (2021). Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music. Music Theory Online, 27(1), n.p.
toggle visibility
Hagen, K. (2021). “If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as a Contrary Version of The [First] Book of Urizen. Blake / an Illustrated Quarterly, 54(3), n.p.
toggle visibility
Barchi, R. (Ed.). (2021). Diálogos com a música extrema. Porto Alegre: editorafi.org.
toggle visibility
Messick, K. J. (2021). Music Industry in Crisis: the Impact Of a Novel Coronavirus on Touring Metal Bands, Promoters, and Venues. In V. Bozkurt, G. Dawes, H. Gülerce, & P. Westenbroek (Eds.), The Societal Impacts of Covid-19: A Transnational Perspective (pp. 93–108). Istanbul: Istanbul University Press.
toggle visibility
Lake, D. (2020). USBM: A Revolution of Identity in American Black Metal. Decibel Books.
toggle visibility
Feria del Libro Heavy. (2021). Cultura metálica 7: ponencias, debates y exposiciones de la 7a Feria del Libro Heavy de Buenos Aires. Buenos Aires: Clara Beter Ediciones.
toggle visibility
Feria del Libro Heavy. (2020). Cultura metálica 6: ponencias, debates y exposiciones de la 6a Feria del Libro Heavy de Buenos Aires. Buenos Aires: Clara Beter Ediciones.
toggle visibility
Beauchamp, C. (2021). Gender and Extreme Metal: Understanding Gender Relations in the Montreal Extreme Metal Scene With Schippers' Gender Framework. Master's thesis, Concordia University, Montreal.
toggle visibility
Chaker, S. (2021). Im Höllen-Labyrinth des Metal. In O. Dimbath, L. M. Friedrich, & W. Gebhardt (Eds.), Die Hölle der Spätmoderne: Überlegungen zu Praktiken und Funktionen beständiger Jenseitsadressierung in einer dunklen Musikkultur (pp. 319–342). Bielefeld: Transcript.
toggle visibility
Tofalvy, T., & Koltai, J. (2021). “Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system. New Media & Society, OnlineFirst.
toggle visibility