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Author | Prown, Pete | ||||
Title | Ultimate Heavy Metal Guitars: The Guitarists Who Rocked the World | Type | Book Whole | ||
Year | 2023 | Publication | Abbreviated Journal | ||
Volume | Issue | Pages | 192 | ||
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Abstract | “From metal pioneers like Black Sabbath’s Tony Iommi, Led Zeppelin’s Jimmy Page, and Deep Purple’s Ritchie Blackmore to today’s hottest shredders, thrashers, and riffers, Ultimate Heavy Metal Guitars is your guide to the instruments and musicians that made metal. Author and guitar journalist Pete Prown presents his subjects by metal-defining eras and subgenres, including: early metal, hard rock and arena rock, prog rock, Euro metal, hair metal, shred, thrash, and more.” (source: Amazon.com) | ||||
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Publisher | Motorbooks | Place of Publication | Editor | ||
Language | English | Summary Language | Original Title | ||
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ISSN | ISBN ![]() |
0760377758; 978-0760377758 | Medium | ||
Area | Expedition | Conference | |||
Notes | Approved | no | |||
Call Number | INTech @ brianhickam2019 @ | Serial | 2515 | ||
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Author | Morton, Mark; Opipari, Ben | ||||
Title | Desolation: A Heavy Metal Memoir | Type | Book Whole | ||
Year | 2024 | Publication | Abbreviated Journal | ||
Volume | Issue | Pages | 320 | ||
Keywords | Lamb of God; autobiography; biography; New wave of American heavy metal | ||||
Abstract | “A gritty, revealing heavy metal memoir by Lamb of God’s lead guitarist and co-lyricist, which explores both his life in music and his tumultuous path through addiction and into recovery. DESOLATION is the story of Morton's lifelong quest for clarity and self-acceptance, and shows how the pressures of career success and personal battles eventually came into conflict with Morton's dedication to the creative process. Intertwined with addiction, self-destruction, and the path to eventual surrender and recovery, Morton also reveals the greatest personal tragedy of his life: the death of his two-day old daughter, plunging Morton further into hopelessness. Surrounded by bandmates living their wildest dreams, Morton wanted nothing more than to disappear, ingesting potentially lethal cocktails of drugs and alcohol into his system on a daily basis. And yet, amidst the harrowing heartbreak, there were moments of triumph, hope, and incredible personal connection. Morton developed close relationships with his bandmates and crew members, sharing experiences that have made for some strange and hilarious tales. He's also gained a greater sense of purpose through interactions with his fans, who remind him that his work reaches people on a deeply personal level. Through the highs and the lows, Morton learns how to find presence and gratitude where he once found fear and resentment, a process that he considers a gift of spiritual awakening. DESOLATION is, at its core, about Morton's journey as a musician navigating self doubt, anxiety and the progressive disease of addiction, and ultimately finding relative serenity. Perfect for fans, new and old, as well as anyone who has ever been tested and brought to their limits, DESOLATION is a highly-satisfying, full-throttle investigation of the human experience. ” (source: Hachette Book Group) |
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Publisher | Hachette Books | Place of Publication | New York City | Editor | |
Language | English | Summary Language | Original Title | ||
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ISSN | ISBN ![]() |
0306830981, 978-0306830983 | Medium | Hardback | |
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Notes | Approved | no | |||
Call Number | INTech @ brianhickam2019 @ | Serial | 2523 | ||
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Author | García Castiblanco, Norma; Cáceres Parra, Jórge | ||||
Title | Voces Resonantes Memoria y Resistencia. Metal en Colombia: Memorias de violencia y resistencia para la No Repetición. | Type | Magazine Article | ||
Year | 2022 | Publication | Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras | Abbreviated Journal | |
Volume | 1 | Issue | 1 | Pages | 48-49 |
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Abstract | REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. | ||||
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Publisher | REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) | Place of Publication | Autonomous City of Buenos Aires, Argentine Republic | Editor | |
Language | español | Summary Language | Original Title | ||
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ISSN | 2953-3805 | ISBN ![]() |
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Notes | https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ | Approved | no | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2407 | ||
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Author | Birnie-Smith, Jess; Robertson, Wesley C. | ||||
Title | Superdiversity and translocal brutality in Asian extreme metal lyrics | Type | Journal Article | ||
Year | 2021 | Publication | Language & Communication | Abbreviated Journal | |
Volume | 81 | Issue | Pages | 48-63 | |
Keywords | Extreme metal; Non-Western scenes (Japan); Non-Western scenes (Taiwan) | ||||
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2119 | ||
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Author | Herbst, Jan-Peter | ||||
Title | (No?) Adventures in Recording Land: Engineering Conventions in Metal Music | Type | Journal Article | ||
Year | 2021 | Publication | Rock Music Studies | Abbreviated Journal | |
Volume | t.b.c. | Issue | Pages | ||
Keywords | Recording; Music Industry; Music Production | ||||
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2122 | ||
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Author | Herbst, Jan-Peter | ||||
Title | Nail the Mix: Standardization in Mixing Metal Music? | Type | Journal Article | ||
Year | 2021 | Publication | Popular Music and Society | Abbreviated Journal | |
Volume | t.b.c. | Issue | Pages | ||
Keywords | Music production; Music Industry; Recording | ||||
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2123 | ||
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Author | Rogers, Anna S.; Deflem, Mathieu | ||||
Title | Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture | Type | Book Whole | ||
Year | 2021 | Publication | Abbreviated Journal | ||
Volume | Issue | Pages | |||
Keywords | Gender; Sociology; Masculinity | ||||
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Publisher | Anthem Press | Place of Publication | London | Editor | |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2124 | ||
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Author | Swiniartzki, Marco | ||||
Title | Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) | Type | Journal Article | ||
Year | 2021 | Publication | Journal of Popular Music Studies | Abbreviated Journal | |
Volume | 33 | Issue | 3 | Pages | 168-193 |
Keywords | US Scene (Florida); Death metal; Sociology | ||||
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2125 | ||
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Author | Kinnunen, Maarit; Honkanen, Antti | ||||
Title | Femininity in metal fanship: “I do not need to take anyone along” | Type | Journal Article | ||
Year | 2021 | Publication | Metal Music Studies | Abbreviated Journal | |
Volume | 7 | Issue | 2 | Pages | 211-235 |
Keywords | Gender; Sociology; European scenes (Finnland); Feminity | ||||
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2126 | ||
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Author | Sackl-Sharif, Susanne | ||||
Title | The dark side of blogging: Digital metal communities and metal influencers | Type | Journal Article | ||
Year | 2021 | Publication | Metal Music Studies | Abbreviated Journal | |
Volume | 7 | Issue | 2 | Pages | 237-255 |
Keywords | Blogging; Internet; Influencers | ||||
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Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2127 | ||
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