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Korczyński, T. M. (2021). The Genesis of Unblack Metal and its Contemporary Reception. Cognitive Prospects. Journal of Modern Science, 46(1), 73–91.
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Evangelista Ávila, I. I. (2021). La recepción borgiana de At the Gates: refiguraciones, intertextualidades y heavy metal. Impossibilia. Revista Internacional de Estudios Literarios, 21, 237–261.
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Swallow, R. (2021). Defining Consonance and Dissonance in Metal Music. Master's thesis, University of Huddersfield, Huddersfield.
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Coggins, O. (2021). Ecology, Estrangement and Enchantment in Black Metal's Dark Haven. Green Letters. Studies in Ecocriticism, t.b.c..
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Archer-Capuzzo, S. (2021). Mining For Metal: Heavy Metal and the Music Library. Music Library Association, 78(1), 7–26.
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Birnie-Smith, J., & Robertson, W. C. (2021). Superdiversity and translocal brutality in Asian extreme metal lyrics. Language & Communication, 81, 48–63.
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Herbst, J. - P. (2021). (No?) Adventures in Recording Land: Engineering Conventions in Metal Music. Rock Music Studies, t.b.c..
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Herbst, J. - P. (2021). Nail the Mix: Standardization in Mixing Metal Music? Popular Music and Society, t.b.c..
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Rogers, A. S., & Deflem, M. (2021). Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture. London: Anthem Press.
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