| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith (eds) |
Global metal music and culture: current directions in metal studies |
2016 |
|
|
|
|
|
|
Kahn-Harris, Keith |
Do Metal Scenes Need Retirement Homes? Care and the Limitations of Metal Community |
2016 |
Heavy Metal Music and the Communal Experience |
|
171-184 |
|
|
|
Kahn-Harris, Keith |
‘Yours Is The Earth And Everything That’S In It’: Myths And Narratives Of Britishness In The Construction And Consumption Of Iron Maiden |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
103-112 |
|
|
|
Kahn-Harris, Keith |
Ein Verwaistes Land? Israel und die Extreme Metal-Szene |
2001 |
Testcard |
6 |
|
|
|
|
Kahn-Harris, Keith |
An Orphaned Land? Israel and the Global Extreme Metal Scene |
1999 |
New voices in Jewish thought. Vol. 2 Vol. 2 |
|
1-21 |
|
|
|
Kahn-Harris, Keith |
Death Metal and the Limits of Musical Expression |
2003 |
Policing pop |
|
81-99 |
|
|
|
Kahn-Harris, Keith |
Nem látványos szubkultúra? Határátlépés és hétköznapiság a globális extrém metal színtéren [Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene] |
2009 |
Replika |
65 |
165-175 |
|
|
|
Kahn-Harris, Keith |
Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene’ |
2004 |
After subculture: critical studies in contemporary youth culture |
|
107-118 |
|
|
|
Kahn-Harris, Keith |
End of the World Music: Is Extreme Metal the Sound of the Apocalypse |
2009 |
The end all around us: apocalyptic texts and popular culture |
|
22-42 |
|
|
|
Kahn-Harris, Keith |
Introduction: The Next Steps in the Evolution of Metal Studies |
2016 |
Heavy Metal Studies and Popular Culture |
|
1-18 |
|
