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| Author |
González Hernández , José Omar |
| Title |
Imaginarios de la maldad. El espacio como perpetrador en el goregrind mexicano |
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Journal Article |
| Year |
2022 |
Publication |
Lenguas Radicales |
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| Volume |
1 |
Issue  |
4 |
Pages |
52-60 |
| Keywords |
Goregrind; Mexico; Violence; Noise; Abjection |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2391 |
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| Author |
Castillo Bernal, Stephen |
| Title |
EL CUERPO HUMANO COMO INSTRUMENTO SUBCULTURAL DE LOS INICIOS DEL HEAVY METAL AL SIMBOLISMO RITUAL DEL BLACK METAL. |
Type |
Journal Article |
| Year |
2007 |
Publication |
Fuentes Humanísticas |
Abbreviated Journal |
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| Volume |
19 |
Issue |
34 |
Pages |
43-57 |
| Keywords |
sociocultural, instrumento, heavy metal, simbolismo, black metal, Alice Cooper; instrument, symbolism |
| Abstract |
En el caso que aquí nos atañe, las manifestaciones corpóreas cargan un lenguajesimbólico que puede ser leído por los integrantes de una subcultura y, en consecuencia, puede ser diseccionado a partir de un ejercicio interpretativo. Decimos lo anterior en función de que la misma cultura, siguiendo a Millán (2001: 23), puede considerarse como un sistema de lenguaje articulado. Sobra decir que las significaciones corporales son una construcción social, por lo que su edificación varía de acuerdo con los ritmos históricos de aparición del saber y las tradiciones singulares de la cultura (Fournier y Jiménez, en prensa; Foucault, 1999). |
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Prolongación Canal de Miramontes 3855, colonia Ex-Hacienda de San Juan de Dios, delegación Tlalpan, c.p. 14387, Ciudad de México, y Av. San Pablo 180, colonia Reynosa Tamaulipas, delegación Azcapotzalco, c.p. 02200, Ciudad de México • Tel. 5318-9125 y 5318-9441 |
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la Universidad Autónoma Metropolitana a través de la Unidad Azcapotzalco, División de Ciencias Sociales y Humanidades, Departamento de Humanidades. |
Place of Publication |
Ciudad de México |
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español |
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eISSN 2007-5618, ISSN 0188-8900 |
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Open access: Licencia Creative Commons Atribución 4.0 Internacional. IMÁGENES CORPORALES Y CULTURA DE MASAS (Enero-Junio) |
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INTech @ brianhickam2019 @ |
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2403 |
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| Author |
Silva, Melina Aparecida dos Santos; Sá, Simone Pereira de |
| Title |
Duas pernas, um braço: a banda Katingation e sua apropriação do death metal no cenário pós-guerra civil angolano |
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Journal Article |
| Year |
2014 |
Publication |
Comunicação Mídia E Consumo |
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| Volume |
11 |
Issue |
31 |
Pages |
65-81 |
| Keywords |
Angola; Africa; Death metal; War |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2475 |
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| Author |
Yepes Aguirre, Jimmy Renzo |
| Title |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
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Journal Article |
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2013 |
Publication |
Investigaciones Sociales |
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17 |
Issue |
30 |
Pages |
279-290 |
| Keywords |
Dialectica; politica cultural neoliberal; subculturas; musica heavy metal; Sociology; Latin America; Non-Western scenes; Perú |
| Abstract |
Este estudio estuvo orientado a identificar las bondades que tienen el método hegeliano en los diferentes aspectos de la política y la música con la finalidad de analizar su relación. En tal sentido se planteó los siguientes objetivos: determinar la relación entre la política cultural neoliberal2 y la música heavy metal3, analizar su desarrollo y sus características. Se hizo uso de la encuesta y la entrevista los que se aplicaron a una muestra no probabilística de 30 jóvenes (de 18 a 35 años de edad) metaleros de Huánuco. Se identificó tres generaciones: 1era. Generación de Metaleros 1990-1996 (tesis); 2da. Generación de Metaleros 1997-2003 (antítesis); 3era. Generación de Metaleros 2004-2010 (síntesis). Se evidencia la existencia de una contradicción dialéctica entre la música heavy metal (la cual forma parte de una subcultura) y la cultura dominante en el mundo (en este caso la política cultural neoliberal), ambas evidencian una relación directa no solamente en el aspecto cronológico, sino en el plano ideológico. |
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https://revistasinvestigacion.unmsm.edu.pe/index.php/sociales/issue/view/686 |
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Universidad Nacional Mayor de San Marcos, Facultad de Ciencias Sociales, Instituto de Investigaciones Histórico Sociales |
Place of Publication |
Lima, República del Perú |
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Print: 1560-9073 / Online: 1818-4758 |
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INTech @ brianhickam2019 @ |
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2284 |
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| Author |
Swiniartzki, Marco |
| Title |
Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) |
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Journal Article |
| Year |
2021 |
Publication |
Journal of Popular Music Studies |
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| Volume |
33 |
Issue |
3 |
Pages |
168-193 |
| Keywords |
US Scene (Florida); Death metal; Sociology |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2125 |
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| Author |
Burns, Lori A.; Armstrong, Patrick |
| Title |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
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| Year |
2021 |
Publication |
Metal Music Studies |
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7 |
Issue |
3 |
Pages |
357-382 |
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Pain of Salvation (band); The Perfect Element (album); Subjectivity; Musicology |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2132 |
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| Author |
Deacon, David |
| Title |
“Another Version of the Truth”: The politics of affect and the externalization of threat in Trent Reznor’s Year Zero |
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2021 |
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Metal Music Studies |
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7 |
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3 |
Pages |
383-397 |
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Nine Inch Nails (band); Year Zero (album); Threat; Lyrics |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2133 |
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| Author |
Rietveld, Hillegonda C.; Monroe, Alexei |
| Title |
Gabber: Raising hell in technoculture |
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Journal Article |
| Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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7 |
Issue |
3 |
Pages |
399-421 |
| Keywords |
Gabber; Electronic music; Industrial |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2134 |
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| Author |
Thomas, Niall |
| Title |
Innovation and tradition in metal music production |
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| Year |
2021 |
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Metal Music Studies |
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7 |
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3 |
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423-443 |
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Recording; Music industry; Music production |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2135 |
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| Author |
Herbst, Jan-Peter |
| Title |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
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2021 |
Publication |
Metal Music Studies |
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7 |
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3 |
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445-467 |
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Teutonic metal; Music production; Performance; Cultural identity; Aesthetics |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2136 |
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