| Home | [1–10] << 11 12 13 14 15 16 17 18 19 20 >> [21–30] |
|
| Records | |||||
|---|---|---|---|---|---|
| Author | Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica | ||||
| Title | Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal | Type | Journal Article | ||
| Year | 2022 | Publication | Trans: Revista Transcultural de Música | Abbreviated Journal | |
| Volume | 26 | Issue  |
Pages | 1-16 | |
| Keywords | Metal, violencia, género, protocolo, Nuestra Abya Yala, Nuestra Afroamérica; Gender; Violence; Metal music, GBV, protocol, Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM) | ||||
| Abstract | El objetivo de este artículo es narrar la experiencia de construcción de un protocolo contra violencias por motivos de género en las prácticas del metal dentro de la región de Nuestra Abya Yala y Nuestra Afroamérica, por parte de la Comisión de Género de la Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM). Para ello se dará cuenta de las diferentes etapas que componen este proceso, las cuales van desde las necesidades iniciales surgidas a partir de diversos ataques de violencia epistémica hacia integrantes de la REEHM, hasta la elaboración colectiva mediante métodos colaborativos. Esto implica la lectura, la reflexión y la escucha cuidada y grupal en la Primera Ronda de Brujxs. Hacia el final se comentan algunas conclusiones y proyecciones futuras vinculadas al metal y las problemáticas de género. [The aim of this article is to recount the experience of building a protocol against gender-based violence (GBV) within metal music practices in the region of Nuestra Afroamerica, by the Gender Commission of the Heavy Metal Studies and Experiences Network (REEHM). The different stages that make up this process will be described, ranging from the initial needs arising from various attacks of epistemic violence against REEHM members, to the collective elaboration through collaborative methods. This involves group reading, reflection, and careful listening in the Primera Ronda de Brujxs (First Circle of Witches). Towards the end some conclusions and future projections related to metal and gender issues are discussed.] |
||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | SIBE: Sociedad de Etnomusicología | Place of Publication | Barcelona, España | Editor | |
| Language | español | Summary Language | English | Original Title | |
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | 1697-0101 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Open access: Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Spain license. | Approved | no | ||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2387 | ||
| Permanent link to this record | |||||
| Author | Pikri, Zainal; Muthmainnah, Inna | ||||
| Title | Perdebatan Kontemporer tentang Islam, Gender dan Musik: Analisis Wacana atas Band Hijabi Metal VOB (Voice of Baceprot) [Contemporary Debates on Islam, Gender and Music: Discourse Analysis of the Hijabi Metal Band VOB (Voice of Baceprot)] | Type | Book Whole | ||
| Year | 2022 | Publication | Abbreviated Journal | ||
| Volume | Issue |
Pages | |||
| Keywords | VOB (band); Voice of Baceprot (band); Hijab; Islam; Gender; Women | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | Bachelor's thesis | |||
| Publisher | Universitat Islan Negeri Antasari Banjarmasin | Place of Publication | Banjarmasin | Editor | |
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2392 | ||
| Permanent link to this record | |||||
| Author | Hoad, Catherine | ||||
| Title | “Images and words”: Textual analysis and its uses for metal music studies | Type | Book Chapter | ||
| Year | Publication | The Bloomsbury Handbook of Popular Music and Youth Culture | Abbreviated Journal | ||
| Volume | Issue |
Pages | 151-169 | ||
| Keywords | Textual analysis | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Bloomsbury Publishing | Place of Publication | New York; London; Dublin | Editor | Bennett, Andy |
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2393 | ||
| Permanent link to this record | |||||
| Author | Couzineau-Zegwaard, Elizabeth; Anne, Nicolas; Meier, Olivier | ||||
| Title | Pulse of minoroty: La transgression pour l'activisme | Type | Book Chapter | ||
| Year | 2022 | Publication | Minorités en mode majeur | Abbreviated Journal | |
| Volume | Issue |
Pages | 68-107 | ||
| Keywords | Politics; Trangression; Activism | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Éditions EMS | Place of Publication | Caen | Editor | Tarnaud, Laurent; Meier, Olivier; Couzineau-Zegwaard, Elizabeth |
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2394 | ||
| Permanent link to this record | |||||
| Author | Mattson, Douglas | ||||
| Title | Att välja blasfemi. Blasfemisk identitet i turkisk svartmetal [Choosing blasphemy. Blasphemous identity in Turkish black metal] | Type | Book Chapter | ||
| Year | 2022 | Publication | Blasfemi, heresi, kätteri, apostasi | Abbreviated Journal | |
| Volume | Issue |
Pages | 119-131 | ||
| Keywords | Blasphemy; Turkey; Non-Western scenes; Black metal | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Svenska Forskningsinstitutet i Istanbul & Föreningen Svenska Istanbulinstitutets Vänner | Place of Publication | Istambul | Editor | Sorgenfrei, Simon; Mattson, Douglas |
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2395 | ||
| Permanent link to this record | |||||
| Author | Burns, Lori | ||||
| Title | Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) | Type | Book Chapter | ||
| Year | 2023 | Publication | Analyzing Recorded Music: Collected Perspectives | Abbreviated Journal | |
| Volume | Issue |
Pages | 323–338 | ||
| Keywords | The Gathering (band); Madylion (album); Female artists; Singing; Musicology | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | Editor | Moylan, William; Burns, Lori; Alleyne, Mike | |
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2396 | ||
| Permanent link to this record | |||||
| Author | Burns, Lori | ||||
| Title | Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) | Type | Book Chapter | ||
| Year | 2020 | Publication | Popular Musicology and Identity: Essays in Honour of Stan Hawkins | Abbreviated Journal | |
| Volume | Issue |
Pages | 196–217 | ||
| Keywords | Masculinity; Pain of Salvation (band); Disease | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Routledge | Place of Publication | Editor | Hansen, Kai Arne; Askeroi, Eirik; Jarman, Freya | |
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2398 | ||
| Permanent link to this record | |||||
| Author | Burns, Lori | ||||
| Title | Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus | Type | Book Chapter | ||
| Year | 2019 | Publication | The Bloomsbury Handbook to Popular Music Video Analysis | Abbreviated Journal | |
| Volume | Issue |
Pages | 183-200 | ||
| Keywords | Dark Tranquility (band); Videoclips; Extreme metal | ||||
| Abstract | |||||
| Address | |||||
| Corporate Author | Thesis | ||||
| Publisher | Bloomsbury Academic | Place of Publication | Editor | Burns, Lori; Hawkins, Stan | |
| Language | Summary Language | Original Title | |||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | |||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2399 | ||
| Permanent link to this record | |||||
| Author | Venegas Marín, María Paula | ||||
| Title | Análisis del impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. | Type | Journal Article | ||
| Year | Publication | DSpace | Abbreviated Journal | ||
| Volume | Issue |
Pages | |||
| Keywords | Ultra metal, Contracultura, Década de los 80s, Violencia, Juventud, Medellín; Ultra metal, Counterculture, 1980s, Violence, Youth, Medellín. | ||||
| Abstract | Este trabajo investigativo y de carácter cualitativo busca centrarse en las posturas que han derivado desde la comunicación, con aportes de la sociología y las ciencias sociales, a través de un recorrido teórico e histórico de los sucesos más importantes del espectro de tiempo, así como de sus principales aportes y limitaciones de las expresiones artísticas y musicales asociados al movimiento de “Ultra Metal” y la importancia de éste en las transformaciones de la sociedad producto de las dinámicas de violencia asociadas a las disputas de narcotraficantes. Dichas disciplinas han brindado diferentes conceptos al fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles, las cuales han surgido con visiones muy diferentes y diversas. Esta investigación tiene por objetivo analizar el impacto en la sociedad del movimiento contestatario “Ultra Metal” como alternativa a la violencia que experimentaron los jóvenes de la ciudad de Medellín durante la década de los 80s. Esto se sustenta en cuatro factores: las condiciones del contexto histórico en la creación del movimiento contracultural contestatario “Ultra Metal”; los imaginarios que se configuran a través de la música y grupos juveniles contestarios que permiten la concepción del mismo como contracultura; los contextos sociales dinamizadores expresados a través de la música, la individualidad, las tribus urbanas en los escenarios de respuesta contra la violencia generada en el tiempo y los conceptos del fenómeno de la búsqueda de identidades y de pares, con connotaciones como subcultura, contracultura, tribus urbanas y culturas juveniles. Bajo esta perspectiva, esta investigación contribuye a las ciencias sociales porque al conocer los impactos que la música tiene en las transformaciones de la sociedad puede servir como base para construir estrategias que permitan a los y las jóvenes encontrar un sentido de vida a través del arte y, de esta manera, convertirse en agentes significativos dentro de una sociedad más justa y equitativa. [ This investigative and qualitative paper seeks to focus on the positions that have derived from communication, with contributions from sociology and social sciences, through a theoretical and historical journey of the most important events of the spectrum of time, as well as of its main contributions and limitations of the artistic and musical expressions associated with the “Ultra Metal” movement and its importance in the transformations of society as a result of the dynamics of violence associated with drug traffickers' disputes. These disciplines have provided different concepts to the phenomenon of the search for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures, which have emerged with very different and diverse visions. This study aims to analyze the impact on society of the “Ultra Metal” protest movement as an alternative to the violence experienced by young people in the city of Medellin during the 1980s. This is based on four factors: the conditions of the historical context in the creation of the protesting countercultural movement “Ultra Metal”; the imaginaries that are configured through music and rebellious youth groups that allow the conception of it as a counterculture; the dynamic social contexts expressed through music, individuality, urban tribes in response scenarios against violence generated over time and the concepts of the phenomenon of searching for identities and peers, with connotations such as subculture, counterculture, urban tribes and youth cultures.] |
||||
| Address | https://www.unicundi.edu.co/ | ||||
| Corporate Author | Universidad de Cundinamarca, Facultad de Educación | Thesis | Bachelor's thesis | ||
| Publisher | Universidad de Cundinamarca | Place of Publication | Fusagasugá, Cundinamarca, Republic of Colombia. | Editor | |
| Language | español | Summary Language | English | Original Title | |
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | Medium | PDF, 1.169Mb | ||
| Area | Expedition | Conference | |||
| Notes | Open access. Trabajo de grado, Licenciatura en Educación Básica con Énfasis en Ciencias Sociales [127]. | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2401 | ||
| Permanent link to this record | |||||
| Author | Castillo Bernal, Stephen | ||||
| Title | El mundo del Heavy Metal en la Ciudad de México: Radiografías imaginarias y rituales. | Type | Book Chapter | ||
| Year | 2016 | Publication | Atlas Etnográfico de los Mundos Contemporáneos | Abbreviated Journal | |
| Volume | 1 | Issue |
Pages | 83-117 | |
| Keywords | |||||
| Abstract | La finalidad de este trabajo es delinear las características fundamentales de la escena metalera de la Ciudad de México, así como los cimientos simbólicos, imaginarios y rituales que sustentan a los partidarios de esta comunidad de sentido. Para lograr este cometido dividí el ensayo en tres segmentos. En el primero se definirán las características angulares e ideológicas del Heavy Metal así como las de la escena metalera mexicana; en el segundo apartado repasaré algunos de los constructos teóricos de Turner tocantes a la teoría del ritual. En el último bloque pondré a prueba las categorías analíticas para darle luz a las prácticas metaleras gestadas en los conciertos. Este último apartado me permitirá avanzar algunas hipótesis referidas al imaginario estructural de la escena cultural metalera. | ||||
| Address | www.edicionesnavarra.com | ||||
| Corporate Author | Thesis | ||||
| Publisher | Escuela Nacional de Antropología e Historia, ENAH: Ediciones Navarra | Place of Publication | Ciudad de México | Editor | de la Peña Martínez, Francisco |
| Language | español | Summary Language | Original Title | ||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-607-9497-08-8 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Primera edición | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2404 | ||
| Permanent link to this record | |||||