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Kahn-Harris, K. (2001). Ein Verwaistes Land? Israel und die Extreme Metal-Szene. Testcard, 6.
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Campoy, L. C. (2008). Trevas na cidade: o underground do metal extremo no brasil. Ph.D. thesis, Universidade Federal do Rio de Janeiro, Rio de Janeiro.
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Campoy, L. C. (2010). Trevas sobre a luz: O Underground do Heavy Metal Extremo no Brasil. São Paulo: Alameda.
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Hutcherson, B., & Haenfler, R. (2010). Musical genre as a gendered process: Authenticity in extreme metal. Studies in Symbolic Interaction, 35, 101–121.
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Seixas, L. C. (2018). Metal Extremo: Est??Tica ‌pesada” No Black Metal. Ph.D. thesis, Universidade Federal de Juiz de Fora, Juiz de Fora.
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Walzer, N. (2007). Anthropologie Du Metal Extreme. Rosieres en Haye: Camion Blanc.
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Harbert, B. J. (2013). Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha. In T. Burkhalter, K. Dickinson, & B. J. Harbert (Eds.), The Arab Avant-Garde: Music, Politics, Modernity (pp. 229–272). Middletown: Wesleyan University Press.
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Kahn-Harris, K. (2001). Transgression and mundanity: the global extreme metal music scene. Ph.D. thesis, Goldsmiths College, London.
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Ferris, Á., & Fontanet, N. (2007). Pasaporte al infierno: un viaje sin retorno a la naturaleza de la bestia. Llinars del Vallès (Barcelona): Quarentena.
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Rubio, S. (2013). Doom, Goticismo y Metal Extremo. Herejía y belleza: Revista de estudios culturales sobre el movimiento gótico, 1, 185–200.
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