| 
Citations
 | 
   web
Sabbath, J. (2021). Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021. Sogamoso, Boyacá, Republic of Colombia: Nixx Editores.
toggle visibility
Lucas, O. R. (2021). Light Shows as Public, Vernacular Music Theory. In J. D. Jenkins (Ed.), The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory (s.p.). Oxford: Oxford University Press.
toggle visibility
Lucas, O. R. (2016). Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music. Ph.D. thesis, Harvard University, Cambridge.
toggle visibility
Calvo, M. B., García Castiblanco, N., Núñez, M. de la L., Padilla, L. M., Pascuchelli, M. N., Ruiz, V., et al. (2022). Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal. Trans: Revista Transcultural de Música, 26, 1–16.
toggle visibility
Pikri, Z., & Muthmainnah, I. (2022). Perdebatan Kontemporer tentang Islam, Gender dan Musik: Analisis Wacana atas Band Hijabi Metal VOB (Voice of Baceprot) [Contemporary Debates on Islam, Gender and Music: Discourse Analysis of the Hijabi Metal Band VOB (Voice of Baceprot)]. Bachelor's thesis, Universitat Islan Negeri Antasari Banjarmasin, Banjarmasin.
toggle visibility
Hoad, C. “Images and words”: Textual analysis and its uses for metal music studies. In A. Bennett (Ed.), The Bloomsbury Handbook of Popular Music and Youth Culture (pp. 151–169). New York; London; Dublin: Bloomsbury Publishing.
toggle visibility
Couzineau-Zegwaard, E., Anne, N., & Meier, O. (2022). Pulse of minoroty: La transgression pour l'activisme. In L. Tarnaud, O. Meier, & E. Couzineau-Zegwaard (Eds.), Minorités en mode majeur (pp. 68–107). Caen: Éditions EMS.
toggle visibility
Mattson, D. (2022). Att välja blasfemi. Blasfemisk identitet i turkisk svartmetal [Choosing blasphemy. Blasphemous identity in Turkish black metal]. In S. Sorgenfrei, & D. Mattson (Eds.), Blasfemi, heresi, kätteri, apostasi (pp. 119–131). Istambul: Svenska Forskningsinstitutet i Istanbul & Föreningen Svenska Istanbulinstitutets Vänner.
toggle visibility
Burns, L. (2023). Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995). In W. Moylan, L. Burns, & M. Alleyne (Eds.), Analyzing Recorded Music: Collected Perspectives (323–338). Routledge.
toggle visibility
Burns, L. (2020). Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017). In K. A. Hansen, E. Askeroi, & F. Jarman (Eds.), Popular Musicology and Identity: Essays in Honour of Stan Hawkins (196–217). Routledge.
toggle visibility