| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Sabbath, Juan |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
2021 |
|
|
312 |
| Lucas, Olivia R. |
Light Shows as Public, Vernacular Music Theory |
2021 |
The Oxford Handbook of Public Music Theory The Oxford Handbook of Public Music Theory |
|
s.p. |
| Lucas, Olivia R. |
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music |
2016 |
|
|
|
| Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica |
Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal |
2022 |
Trans: Revista Transcultural de Música |
26 |
1-16 |
| Pikri, Zainal; Muthmainnah, Inna |
Perdebatan Kontemporer tentang Islam, Gender dan Musik: Analisis Wacana atas Band Hijabi Metal VOB (Voice of Baceprot) [Contemporary Debates on Islam, Gender and Music: Discourse Analysis of the Hijabi Metal Band VOB (Voice of Baceprot)] |
2022 |
|
|
|
| Hoad, Catherine |
“Images and words”: Textual analysis and its uses for metal music studies |
|
The Bloomsbury Handbook of Popular Music and Youth Culture |
|
151-169 |
| Couzineau-Zegwaard, Elizabeth; Anne, Nicolas; Meier, Olivier |
Pulse of minoroty: La transgression pour l'activisme |
2022 |
Minorités en mode majeur |
|
68-107 |
| Mattson, Douglas |
Att välja blasfemi. Blasfemisk identitet i turkisk svartmetal [Choosing blasphemy. Blasphemous identity in Turkish black metal] |
2022 |
Blasfemi, heresi, kätteri, apostasi |
|
119-131 |
| Burns, Lori |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
2023 |
Analyzing Recorded Music: Collected Perspectives |
|
323–338 |
| Burns, Lori |
Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) |
2020 |
Popular Musicology and Identity: Essays in Honour of Stan Hawkins |
|
196–217 |
