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Kahn-Harris, K. (2010). How diverse should metal be? The case of Jewish metal, overt and covert jewishness. In N. Scott (Ed.), The metal void: first gatherings (pp. 95–104). Oxford: Inter-Disciplinary Press.
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Kahn-Harris, K. (2007). Extreme metal: music and culture on the edge. Oxford & New Yoork: Berg Publishers.
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Shadrack, J. H., & Kahn-Harris, K. (2024). Heavy Metal and Disability. Crips, Crowds, and Cacophonies.
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Kahn-Harris, K. (2006). “Roots”? the relationship between the global and the local within the Extreme Metal scene. In A. Bennett, B. Shank, & J. Toynbee (Eds.), The popular music studies reader (pp. 128–134). Milton Park: Routledge.
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Kahn-Harris, K. (2024). The Laws of Metal: A Sociological Perspective. In P. Pichler (Ed.), The Law of the Metal Scene: An Interdisciplinary Discussion (pp. 29–42). Stuttgart: Kohlhammer.
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Kahn-Harris, K. (2000). ‘Roots’? the relationship between the global and the local within the Extreme Metal scene. Popular Music, 19(1), 13–30.
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Kahn-Harris, K. (2004). The ‘Failure’ of Youth Culture: Reflexivity, Music and Politics in the Black Metal Scene. European Journal of Cultural Studies, 7(1), 95–111.
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Hjelm, T., Kahn-Harris, K., & LeVine, M. (2012). Heavy metal as controversy and counterculture. Popular Music History, 6(1-2), 5–18.
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Kahn-Harris, K. (2011). Metal Studies: Intellectual Fragmentation or Organic Intellectualism? Journal for Cultural Research, 15(3), 251–253.
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