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Sackl-Sharif, S. (2021). The dark side of blogging: Digital metal communities and metal influencers. Metal Music Studies, 7(2), 237–255.
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Brown, A. R. (2021). Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91. Metal Music Studies, 7(2), 257–276.
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Hannan, C. (2021). Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper”. Metal Music Studies, 7(2), 277–297.
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Mora-Rioja, A. (2021). “We Are the Dead”: The War Poets, metal music and chaos control. Metal Music Studies, 7(2), 299–315.
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Doesburg, C. (2021). Of heroes, maidens and squirrels: Reimagining traditional Finnish folk poetry in metal lyrics. Metal Music Studies, 7(2), 317–333.
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Pascuchelli, M. N., & Vidal Vargas, P. (2021). Los estudios metálicos (metal studies) en Latinoamérica y Argentina: un posible estado del arte. El oído pensante, 9(2), 252–278.
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Pérez Pelayo, M. (2021). El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal. Lenguas Radicales, 1(2), 7–18.
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Calvo, M. (2021). Ricardo Iorio e e metal argentino: uma genealogia dos seus nacionalismos. Tropos: Comunicação, Sociedade e Cultura, 10(2), s.p.
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Kosek, J. (2021). Transfigurations of the “Emploi” and Artistic Manifestations of Female (Heavy) Metal Singers. Annales Universitatis Paedagogicae Cracoviensis, 13(2), 35–46.
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Yépez Aguirre, J. R. (2017). Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014. Anales Científicos, 78(2), 80–91.
Abstract: This study was aimed at identifying the benefits that have the qualitative method of grounded theory on the different aspects of feeling and thinking of the metalheads of Lima in order to analyze their gregarious relations in society. In this regard the following objectives: Understand that reproduces the individualization of social life, cultural commodification and fetishization of music, the feelings and thoughts of the metalheads of Lima. Use of depth interview which was applied to a nonrandom sample of 23 youth and adults metalheads (14 to 48 years as age ranges or limits). The Rockandad and Metaldad, which serve to give the interpretation to the issues raised: two conceptual categories identified. And finally a conceptual theoretical instrument called pyramidal dialectic was prepared to give way to explaining the research.
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