| Records |
| Author |
Uriarte Trancon, Camilo |
| Title |
La Chakalidad en el grupo Hadez 1988-2000: discursos de autenticidad en la producción musical del metal extremo peruano. |
Type |
Book Whole |
| Year |
2021 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages |
104 |
Keywords  |
Metal extremo (Música)--Perú--1988-2000; Música popular--Perú--Siglo XX |
| Abstract |
El presente trabajo se enfrenta a las estrategias utilizadas por las bandas de metal en el Perú, específicamente aquellas corrientes denominadas como “metal extremo”, para la construcción de discursos de autenticidad. Estas estrategias se expresan a través de técnicas de proceso sonoro y decisiones en relación a la producción musical tomadas durante el registro en el estudio de grabación y posterior edición en fonogramas. Estas decisiones, son también determinadas con anterioridad a la producción, y representan tanto la forma en la que las bandas conceptualizan su sonoridad en la práctica musical privada y grupal, como su expresión en la interpretación en el espacio escénico. Para lograr identificar estas estrategias, se aplican técnicas etnográficas y de la musicología de la producción musical, aunadas al análisis de conceptos relacionados con la autenticidad dentro del metal, especialmente la percepción de transgresión, con el fin de definir las características centrales que identifican el sonido del metal extremo peruano. Para ello realizo un estudio de caso que identifica y analiza la producción musical en la discografía de la banda limeña Hadez entre los años 1988 y 2000.
Esta producción se compone por 4 “demos” y 2 álbumes, en los que vemos reflejados los cambios en los discursos sonoros de autenticidad de la banda a través del tiempo. Esta investigación pretende demostrar el valor fundamental de la toma de decisiones en la producción musical del metal extremo peruano, ya que es a través de estas decisiones que se construyen y negocian los discursos de autenticidad. Estas estrategias y decisiones prácticas, influenciadas por el uso y acceso a la tecnología en el entorno de grabación e informadas por los discursos de autogestión, comunes una “escena global” underground del metal extremo, se encuentran en constante proceso de negociación con características propias locales, que exploro a través de este trabajo, y que definiremos como “chakalidad”. |
| Address |
https://tesis.pucp.edu.pe/repositorio/ |
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Thesis |
Master's thesis |
| Publisher |
Pontificia Universidad Católica del Perú, PUCP |
Place of Publication |
Lima, República del Perú |
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| Language |
Spanish |
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PDF |
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| Notes |
Magíster en Musicología |
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2287 |
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| Author |
Radovanović, Bojana |
| Title |
Debunking “Potentially Monolithic Perceptions of Musicology”: The Role of Musicology in Metal Music Studies |
Type |
Book Chapter |
| Year |
2021 |
Publication |
Shaping the Present through the Future. Musicology, Ethnomusicology and Contemporaneity |
Abbreviated Journal |
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Issue |
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Pages |
97-110 |
| Keywords |
Metal Studies; Musicology |
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| Publisher |
Institute of Musicology SASA |
Place of Publication |
Belgrade |
Editor |
Radovanović, Bojana; Bralović, Miloš; Radivojević, Maja; Mihajlović, Danka Lajić; Medić, Ivana |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2236 |
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| Author |
Hudson, Stephen S. |
| Title |
Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics |
Type |
Journal Article |
| Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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| Volume |
7 |
Issue |
3 |
Pages |
475-478 |
| Keywords |
Metallica (band); Black Album (album); Politics; Alternative Metal |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2247 |
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| Author |
Hill, Rosemary Lucy |
| Title |
When love and critique collide: Methodology ontology fandom and standpoint in metal research |
Type |
Journal Article |
| Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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| Volume |
7 |
Issue |
2 |
Pages |
197-210 |
| Keywords |
Methodology |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2074 |
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| Author |
González Hernández, José Omar |
| Title |
Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia |
Type |
Journal Article |
| Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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| Volume |
7 |
Issue |
1 |
Pages |
119-128 |
| Keywords |
Mexico; Colombia; Latin America; Non-Western scenes; Extreme Metal; Interculturality; Decolonization |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2064 |
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| Author |
Epp, André |
| Title |
Heavy metal as a profession?: The Mexican heavy metal scene and its effects as an informal and non-formal learning space |
Type |
Journal Article |
| Year |
2021 |
Publication |
Metal Music Studies |
Abbreviated Journal |
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| Volume |
7 |
Issue |
1 |
Pages |
149-158 |
| Keywords |
Mexico; Non-Western scenes; Latin America; Learning |
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Approved |
no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2067 |
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| Author |
Aquino Ruiz, Frankz Armas, Laura |
| Title |
Relación e interacción entre la música académica contemporánea y el Metal Extremo |
Type |
Book Whole |
| Year |
2021 |
Publication |
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Abbreviated Journal |
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Issue |
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Pages |
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| Keywords |
Music composition; Extreme metal; Contemporary classical music |
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| Address |
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Thesis |
Bachelor's thesis |
| Publisher |
Escuela Universitaria de Artes Totales |
Place of Publication |
Madrid |
Editor |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2147 |
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| Author |
Sabbath, Juan |
| Title |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
Type |
Book Whole |
| Year |
2021 |
Publication |
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Issue |
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Pages |
312 |
| Keywords |
Music Genres & Styles; Heavy Metal; Literary Criticism; Semiotics & Theory; Essays; Interviews; Ethnomusicology; Blues music; Jazz; Punk; Rock music; Cultural & Social Anthropology; Sociology |
| Abstract |
El libro 'Bienvenidos al Sabbath' ofrece reflexiones en torno a la apreciación de la música metal y la vigencia del underground que contribuyen a la construcción de una teoría del metal. Además, recopila ensayos inéditos junto a una antología de las entrevistas, crónicas y reseñas sobre rock & metal hechas por el autor durante los últimos 20 años. |
| Address |
jcmendozacol@unal.edu.co |
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Thesis |
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| Publisher |
Nixx Editores |
Place of Publication |
Sogamoso, Boyacá, Republic of Colombia |
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español |
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ISBN |
9584944851, 9789584944856 |
Medium |
print |
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| Notes |
Copyright owner: Juan Mendoza-Collazos; diseño de la portada: Nadia Jiménez B.; prólogo por Carlos Reina; prólogo por Manfred Navarro |
Approved |
no |
| Call Number |
INTech @ brianhickam2019 @ |
Serial |
2373 |
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| Author |
Minore, Gito |
| Title |
Producir metal. Autogestión, independencia, mainstream |
Type |
Book Chapter |
| Year |
2021 |
Publication |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
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Issue |
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Pages |
27-32 |
| Keywords |
Music industry; Music production; Market |
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| Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
Editor |
Scaricaciottoli, Emiliano; Minore, Gito |
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no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2142 |
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| Author |
Tofalvy, Tamas; Koltai, Júlia |
| Title |
“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system |
Type |
Journal Article |
| Year |
2021 |
Publication |
New Media & Society |
Abbreviated Journal |
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| Volume |
OnlineFirst |
Issue |
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Pages |
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| Keywords |
Music industry; Spotify (streaming platform); Algorithms |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2111 |
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