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Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Zaddach, Wolf-Georg |
“Dit is Berlin”: Local metal scene building and transformation in Berlin, Germany |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Jeray, Celina |
Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal |
2021 |
Anglica. An International Journal of English Studies |
30 |
171-190 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
1-6 |
|
|
|
Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
|
|
|
Varas-Díaz, Nelson |
El Sur Distorsionado como un cambio paradigmático para el metal y su estudio |
2022 |
Lenguas Radicales |
1 |
28-41 |
|
|
|
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Metal Music in the Distorted South: A Call for Defiance and Reflection |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
9-30 |
|
|
|
González-Martínez, Susana |
An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
33-66 |
|
|
|
González Hernández , José Omar |
Imaginarios de la maldad. El espacio como perpetrador en el goregrind mexicano |
2022 |
Lenguas Radicales |
1 |
52-60 |
|
|
|
Barchi, Rodrigo |
Infer(ce)no na música extrema: das ecologias e das trevas nas capas de álbuns grindcore |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
314-343 |
|
|
|
Castañeda Maldonado, Mario Efraín |
The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
219-238 |
|
