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Bielmann, D. (2011). Sympathie für den Teufel: Deutsche Literatur als Vorlage für Heavy Metal-Lyrics. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 141–153). Oberhausen: Schmenk.
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Calvo, M. B. (2011). ”Nightfall in Middle Earth”: un disco de Blind Guardian inspirado en “El Silmarillion” de J. R. R. Tolkien. DigiLenguas, 3(10).
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Hassemer, S. M. (2011). Green is the New Black (Metal): Wolves in the Throne Room, die amerikanische Romantik und Ecocriticism. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 263–277). Münster: Lit.
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Campos, C. (2011). Metal & Hardcore Graphics: extreme artworks from the underworld. Barcelona: Fkg.
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Jousmäki, H. (2011). Epistemic, interpersonal, and moral stances in the construction of us and them in Christian metal lyrics. Journal of Multicultural Discourses, 6(1), 53–66.
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Baldauf, T. (2011). Die Rezeption altorientalischer Motive in der Heavy Metal Szene. Ph.D. thesis, Universität Innsbruck, Innsbruck.
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Gligorijevic, J. (2011). The Global and the Local in Max Cavalera’s Music Projects. Etnomusikologian vuosikirja, 23.
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Weinstein, D. (2011). How is Metal Studies possible? Journal for Cultural Research, 15(3), 243–245.
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Brown, A. R. (2011). No Method in the Madness? The Problem of the Cultural Reading in Robert Walser’s ”Running with the Devil: Power Madness and Gender in Heavy Metal Music” and Recent Metal Studies. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 63–72). Oxford: Inter-Disciplinary Press.
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Brown, A. R. (2011). Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010. Journal for Cultural Research, 15(3), 213–242.
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