| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark (eds) |
Heavy metal: controversies and countercultures |
2013 |
|
|
|
| Hill, Rosemary; Spracklen, Karl (eds) |
Heavy fundametalisms: music, metal and politics |
2010 |
|
|
|
| Fejes, János |
The Reception of Biblical and Mythological Patterns in the Lyrics of Extreme Metal Music |
2018 |
|
|
|
| St-Laurent, Méi-Ra |
Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh |
2016 |
Metal Music Studies |
2 |
87-108 |
| Ferris, Ángel; Fontanet, Núria |
Pasaporte al infierno: un viaje sin retorno a la naturaleza de la bestia |
2007 |
|
|
|
| Unger, Matthew |
Sound, Symbol, Sociality: The Aesthetic Experience of Extreme Metal Music |
2016 |
|
|
|
| Campoy, Leonardo Carbonieri |
As revelações da escuridão: o show no underground do heavy metal extremo como um ritual |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
203-221 |
| Walzer, Nicolas |
Les imaginaires satanique et païen: le cas de la musique métal extrême |
2007 |
|
|
|
| Kahn-Harris, Keith |
Extreme metal: music and culture on the edge |
2007 |
|
|
|
| Riches, Gabby |
Sensuous Entanglements, Assemblages And Convergences: Extreme Metal Scenes As ‘Sensory Communities’ |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
265-273 |
