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| Author | Morris, Martin | ||||
| Title | Extreme Heavy Metal Music and Critical Theory | Type | Journal Article | ||
| Year | 2015 | Publication | The Germanic Review | Abbreviated Journal | |
| Volume | 90 | Issue | 4 | Pages | |
| Keywords | Methodology; Transgression; Extreme Metal; Theory | ||||
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English | Summary Language | Original Title | ||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | 0016-8890 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ morris_extreme_2015 | Serial | 876 | ||
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| Author | Sellheim, Nikolas P.; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana | ||||
| Title | ‘The rage of the Northmen’: Extreme metal and North-motivated violence | Type | Journal Article | ||
| Year | 2018 | Publication | The Polar Record | Abbreviated Journal | |
| Volume | 54 | Issue | 5-6 | Pages | 339-348 |
| Keywords | Violence; Motifs; Extreme Metal; Vikings | ||||
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English | Summary Language | Original Title | ||
| Series Editor | Series Title | Abbreviated Series Title | |||
| Series Volume | Series Issue | Edition | |||
| ISSN | 0032-2474 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ sellheim_rage_2018 | Serial | 895 | ||
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| Author | Coggins, Owen | ||||
| Title | Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures | Type | Journal Article | ||
| Year | 2019 | Publication | Popular Music; Cambridge | Abbreviated Journal | |
| Volume | 38 | Issue | 1 | Pages | |
| Keywords | Extreme Metal; Spirituality | ||||
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English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 0261-1430 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ coggins_dirty_2019 | Serial | 899 | ||
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| Author | Ollivier, Rosalie; Goupil, Louise; Liuni, Marco; Aucouturier, Jean-Julien | ||||
| Title | Enjoy The Violence: Is Appreciation for Extreme Music the Result of Cognitive Control Over the Threat Response System? | Type | Journal Article | ||
| Year | 2019 | Publication | Music Perception; Berkeley | Abbreviated Journal | |
| Volume | 37 | Issue | 2 | Pages | |
| Keywords | Extreme Metal; Psychology | ||||
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English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 0730-7829 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ ollivier_enjoy_2019 | Serial | 905 | ||
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| Author | Kahn-Harris, Keith | ||||
| Title | An Orphaned Land? Israel and the Global Extreme Metal Scene | Type | Book Chapter | ||
| Year | 1999 | Publication | New voices in Jewish thought. Vol. 2 Vol. 2 | Abbreviated Journal | |
| Volume | Issue | Pages | 1-21 | ||
| Keywords | Extreme Metal; Non-Western scenes; Israel | ||||
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| Publisher | Limmud | Place of Publication | London | Editor | Harris, Keith |
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English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-0-9532273-2-7 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ harris_orphaned_1999 | Serial | 955 | ||
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| Author | McIver, Joel | ||||
| Title | Extreme metal handboook II | Type | Book Whole | ||
| Year | 2005 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Extreme Metal; Encyclopedia | ||||
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| Publisher | Omnibus Press | Place of Publication | London | Editor | |
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English | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1-84449-097-4 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ mciver_extreme_2005 | Serial | 1728 | ||
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| Author | Kloeppel, Mark | ||||
| Title | Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities | Type | Book Whole | ||
| Year | Publication | Abbreviated Journal | |||
| Volume | Issue | Pages | 136 | ||
| Keywords | Communication and the arts; Social sciences; Extreme metal; Festivals; Narrative identity; Narrative inquiry; Tourism; Cultural resources management; Sociology; Labor relations | ||||
| Abstract | “Extreme Metal is a form of dark tourism and leisure activity whose artistic radicalism and underground scenes invoke intense debates from musicians as well as audiences. Traditional cultural studies have assumed that its disenfranchised and transgressive music expressions are an ideological resistance to increasing homogeneities of industrialized society. As such, considering the nature of festivals as a mechanism where culture is created and transmitted, the operations and promotions of Extreme Metal festivals are inevitably engaged in the wider cultural politics of Extreme Metal. The roles of festival producers thus must be emphasized, who act as powerful agents in engaging artists, developing audiences, arranging programs, and so forth. Indeed, no festivals can be simply described as improvised events – they are carefully programmed, planned, and constructed for audiences to hear and see. With this in mind, this study serves to explore the experiential predicament of these culturally embedded event producers. In particular, the identities of the festival producers compose the focus of investigation for this research. That is, considering the contested contexts that are at play in shaping the very existence of Extreme Metal, the producers are constantly acting as intermediaries between these contexts. The discursive practice by which they give meaning to their festival production practices, contain profound dissonance between 'what they imagine their selves to be' and 'what they actually are’ as related to their turbulent ‘referential world’ of Extreme Metal festival production. With this in mind, this study employs the theoretical framework of narrative identity in the examination of the ‘referential world’ by which identities are related. Narrative identity is considered as an approach to understand how people resolve themselves, life events, actions, and other forces in their life. Considering that a self, in narrative, is given meaning through the narrator’s relation of the self to their referential world, analyzing the narrative moments where conflicting contexts are at play provides a sensitization to the struggle of Extreme Metal cultural transgression within festival production. Specifically, it is learned how this tourism is considered ‘dark’. In doing so, three main research questions are asked: 1). How can we understand the festival producers’ identities as negotiated and emerged from the interview narratives? 2). In regards to the festival producers’ identities, what socio-cultural forces in relation to the apparatus of Extreme Metal are involved? 3). How do such findings illuminate the makings of tourism festivals at large?” (Source: ProQuest Dissertations Publishing) |
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Missouri-Columbia, Parks, Recreation, and Tourism Department | Place of Publication | Columbia, Missouri | Editor | Grace Yan |
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English | Summary Language | Original Title | ||
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| Notes | ProQuest publication number 11015334 | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2518 | ||
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| Author | Scott, Niall (ed) | ||||
| Title | The metal void: first gatherings | Type | Book Whole | ||
| Year | 2010 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Philosophy; Religion; Musicology; Gender; Sociology; Motifs; Textuality; Politics; Subgenre; Vikings; Neomedievalism; Cultural identity; Non-Western scenes; Extreme metal; Race; Ethics | ||||
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| Publisher | Inter-Disciplinary Press | Place of Publication | Oxford | Editor | Scott, Niall |
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en | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1-904710-87-5 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ scott_metal_2010 | Serial | 24 | ||
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| Author | Spracklen, Karl; Lucas, Caroline; Deeks, Mark | ||||
| Title | The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England | Type | Journal Article | ||
| Year | 2014 | Publication | Popular Music and Society | Abbreviated Journal | |
| Volume | 37 | Issue | 1 | Pages | 48-64 |
| Keywords | Extreme Metal; Cultural Identity; United Kingdom | ||||
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en | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 0300-7766, 1740-1712 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ spracklen_construction_2014 | Serial | 52 | ||
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| Author | Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith (eds) | ||||
| Title | Global metal music and culture: current directions in metal studies | Type | Book Whole | ||
| Year | 2016 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Metal Studies; Extreme Metal; Cultural Identity; Politics; Music industry; Globalization; Music production | ||||
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| Publisher | Routledge | Place of Publication | New York & London | Editor | Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith |
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en | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1-317-58725-5 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ brown_global_2016 | Serial | 68 | ||
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