| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Beauchamp, Caroline |
Gender and Extreme Metal: Understanding Gender Relations in the Montreal Extreme Metal Scene With Schippers' Gender Framework |
2021 |
|
|
|
| Chaker, Sarah |
Im Höllen-Labyrinth des Metal |
2021 |
Die Hölle der Spätmoderne: Überlegungen zu Praktiken und Funktionen beständiger Jenseitsadressierung in einer dunklen Musikkultur |
|
319-342 |
| Tofalvy, Tamas; Koltai, Júlia |
“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system |
2021 |
New Media & Society |
OnlineFirst |
|
| Archer-Capuzzo, Sonia; Capuzzo, Guy |
Metaldata. A Bibliography of Heavy Metal Resources |
2021 |
|
|
|
| Swallow, Reuben |
Defining Consonance and Dissonance in Metal Music |
2021 |
|
|
|
| Coggins, Owen |
Ecology, Estrangement and Enchantment in Black Metal's Dark Haven |
2021 |
Green Letters. Studies in Ecocriticism |
t.b.c. |
|
| Archer-Capuzzo, Sonia |
Mining For Metal: Heavy Metal and the Music Library |
2021 |
Music Library Association |
78 |
7-26 |
| Birnie-Smith, Jess; Robertson, Wesley C. |
Superdiversity and translocal brutality in Asian extreme metal lyrics |
2021 |
Language & Communication |
81 |
48-63 |
| Hassan, Nedim |
Metal on Merseyside: Music Scenes, Community and Locality |
2021 |
|
|
|
| Quinn, Kate; Baines, Daniel |
Awesome metalcore therapy: using heavy metal music in therapeutic work with voices |
2021 |
The Practical Handbook of Hearing Voices: Therapeutic and creative approaches |
|
|
