| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Morris, Martin |
Extreme Heavy Metal Music and Critical Theory |
2015 |
The Germanic Review |
90 |
|
| Sellheim, Nikolas P.; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana |
‘The rage of the Northmen’: Extreme metal and North-motivated violence |
2018 |
The Polar Record |
54 |
339-348 |
| Coggins, Owen |
Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures |
2019 |
Popular Music; Cambridge |
38 |
|
| Ollivier, Rosalie; Goupil, Louise; Liuni, Marco; Aucouturier, Jean-Julien |
Enjoy The Violence: Is Appreciation for Extreme Music the Result of Cognitive Control Over the Threat Response System? |
2019 |
Music Perception; Berkeley |
37 |
|
| Kahn-Harris, Keith |
An Orphaned Land? Israel and the Global Extreme Metal Scene |
1999 |
New voices in Jewish thought. Vol. 2 Vol. 2 |
|
1-21 |
| McIver, Joel |
Extreme metal handboook II |
2005 |
|
|
|
| Kloeppel, Mark |
Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities |
|
|
|
136 |
| Scott, Niall (ed) |
The metal void: first gatherings |
2010 |
|
|
|
| Spracklen, Karl; Lucas, Caroline; Deeks, Mark |
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England |
2014 |
Popular Music and Society |
37 |
48-64 |
| Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith (eds) |
Global metal music and culture: current directions in metal studies |
2016 |
|
|
|
