| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Pichler, Peter |
“Breaking the Law...?” On the Role of Law and Legal References in the Cul- tural History of the Heavy Metal Scene in Styria since 1980 |
2022 |
Austrian Law Journal |
2 |
159-179 |
| Faria, Fabio Coura de |
Roots and Routes: The Cultural Politics and Translocality of Hip Hop and Heavy Metal |
2022 |
|
|
|
| Hill, Rosemary Lucy |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
2022 |
Samples. Open Access Journal for Popular Music Studies |
20 |
197-210 |
| Barratt-Peacock, Ruth |
Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour |
2022 |
Metal Music Studies |
8 |
293-308 |
| Swist, Jeremy |
“Wolves of the Krypteia”: Lycanthropy and right-wing extremism in metal’s reception of ancient Greece and Rome |
2022 |
Metal Music Studies |
8 |
309-325 |
| Bleile, MaryLena; Luedeker, Bianca; Patterson, Charles B. |
A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West |
2022 |
Metal Music Studies |
8 |
327-350 |
| Swallow, Reuben; Herbst, Jan-Peter |
Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance |
2022 |
Metal Music Studies |
8 |
351-379 |
| Thomson, Andrew; Thomson, Amanda M.E. |
Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band |
2022 |
Metal Music Studies |
8 |
381-400 |
| González-Martínez, Susana |
The didactic role of feminist art in metal music: Coven bands as a relational device for personal improvement and social justice |
2022 |
Metal Music Studies |
8 |
401-421 |
| Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo (eds) |
Música Extrema. Ruídos, imagens e sentidos |
2021 |
|
|
|
