| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Beckmayer, Sonja |
“Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal |
2024 |
Praktische Theologie |
59 |
58-65 |
|
|
|
Barski, Kamil Sławomir |
Black metal jako kontynuacja romantyzmu? O figurze artysty i stosunku do natury jako korzeniach gatunku [Black metal as a continuation of romanticism? About the figure of the artist and the attitude to nature as the roots of the genre] |
2023 |
Świat i Słowo [World and Word] |
41 |
325-345 |
|
|
|
Welles, Petra |
Heavy Metal als (Frauen-)Beruf und Bildungsprozess |
2024 |
Magazin erwachsenenbildung.at. Das Fachmedium für Forschung, Praxis und Diskurs |
51 |
123-131 |
|
|
|
Powell, Merrick; Olsen, Kirk N., Davidson, Jane; Thompson, William Forde |
Understanding the Attraction to Music Containing Violent Themes: A Qualitative Analysis |
2024 |
Psychology of Popular Media |
Advance online publication |
|
|
|
|
Rivero-Vadillo, Alejandro |
“An Indigenous Fucking Blood Revival”: Pagan Aesthetics in The US Indigenous Black Metal Scene |
2024 |
Complutense Journal of English Studies |
32 |
e81707 |
|
|
|
Holm, Christoffer |
Power Metal – Tre låtar jämförs och genrekonventioner diskuteras [Comparing three songs and discussing genre conventions] |
2023 |
|
|
|
|
|
|
Clinton, Esther; Wallach, Jeremy |
“United We Never Shall Fall”: Metal and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
9-22 |
|
|
|
Shadrack, Jasmine Hazel; Kahn-Harris, Keith |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
2024 |
|
|
|
|
|
|
Fessenden, Jon W. |
Resonant Forms: Autistic Hearing and Heavy Metal Aesthetics |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
23-37 |
|
|
|
Jiggens, Rebecca; Shadrack, Jasmine Hazel |
Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
38-51 |
|
