|
Beccasino, Á. (1989). M-19, el heavy metal latinoamericano. Bogotá: Fondo Editorial Santodomingo.
|
|
|
Davis, J. E. Music Therapists' Perspectives on the Use of Heavy Metal Music in Music Therapy. Master's thesis, Molloy University, Long Island.
|
|
|
Flores Delgado, M. A. (2019). Rebelión en la Guarida. El legado cultural del movimiento musical del metal en Mérida: Un aporte etnohistórico. Presente y Pasado – Revista de Historia, 47, 109–131.
|
|
|
Muller, F. (2024). Cemetery meditations and Morbid Visions: death metal as a spiritual exercise. Culture and Religion An Interdisciplinary Journal, Latest Articles.
|
|
|
Pérez Pelayo, M. (2023). The Legacy of the Sun: Cemican, Mesoamerican instruments, and their materiality in metal music. Riffs: Experimental Writing on Popular Music, 7(1), 7–21.
|
|
|
Pruitt, C. (2019). Get In The Ring: Professional Wrestling and Heavy Metal Music in Parallel. The Journal of Public and Professional SociologyThe Journal of Public and Professional Sociology, 11(2).
|
|
|
Vrzal, M. (2022). Czech Metal Studies: 5 Years of the Study of Metal (and Religion). Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 30, 6–22.
|
|
|
Fejes, J. (2022). The Variety of Similarity: Hungarian High Literature, History, and Folklore in the Lyrics of Dalriada. Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 30, 23–38.
|
|
|
Kosek, J. (2022). “Acidofilia”: The Work of the Acid Drinkers in the Discursive Landscape of Metal Music Culture. Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 30, 39–52.
|
|
|
Volák, V. (2022). Heaviness: A Key Concept of Metal Music Through the Lens of Deleuzian Philosophy. Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura, 30, 53–62.
|
|