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| Author | Unger, Matthew P. | ||||
| Title | Ode to a dying God: Debasement of Christian symbols in extreme metal | Type | Journal Article | ||
| Year | 2019 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 5 | Issue | 2 | Pages | 243-262 |
| Keywords | Philosophy; Religion; Rhetoric; Motifs; Extreme Metal | ||||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2052-3998, 2052-4005 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ unger_ode_2019 | Serial | 624 | ||
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| Author | Jocson-Singh, Joan | ||||
| Title | Vigilante feminism as a form of musical protest in extreme metal music | Type | Journal Article | ||
| Year | 2019 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 5 | Issue | 2 | Pages | 263-273 |
| Keywords | Feminism; Gender; Extreme Metal | ||||
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| ISSN | 2052-3998, 2052-4005 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ jocson-singh_vigilante_2019 | Serial | 625 | ||
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| Author | Spracklen, Karl | ||||
| Title | From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism | Type | Journal Article | ||
| Year | 2020 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 6 | Issue | 1 | Pages | 71-86 |
| Keywords | Paganism; Folk; Extreme Metal; Atlantean Kodex | ||||
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| ISSN | 2052-3998, 2052-4005 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ spracklen_wicker_2020 | Serial | 637 | ||
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| Author | Unger, Matthew | ||||
| Title | Sound, Symbol, Sociality: The Aesthetic Experience of Extreme Metal Music | Type | Book Whole | ||
| Year | 2016 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Rhetoric; Motifs; Extreme Metal; Theory | ||||
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| Publisher | Palgrave Macmillan UK | Place of Publication | London | Editor | |
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| ISSN | ISBN | 978-1-137-47834-4 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ unger_sound_2016 | Serial | 681 | ||
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| Author | Smialek, Eric T. | ||||
| Title | Genre and Expression in Extreme Metal Music, Ca. 1990-2015 | Type | Book Whole | ||
| Year | 2016 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | 346 | ||
| Keywords | Aesthetics; Black metal; Death metal; Extreme Metal; History (metal music); Musicians & conductors; Subgenres | ||||
| Abstract | Extreme metal music , a conglomeration of metal subgenres unified by a common interest in transgressive sounds and imagery, is now a global phenomenon with thriving scenes in every inhabited continent. Its individual subgenres represent a range of diverse aesthetics, some with histories spanning over thirty years. Scholarship on extreme metal now boasts a similar diversity as well as its own history spanning nearly two decades. With the rise of metal studies as an emerging field of scholarship, the scholarly literature on extreme metal has increased exponentially within the past seven years supported by annual conferences, the establishment of the International Society for Metal Music Studies (ISMMS), and a specialized journal ( Metal Music Studies). Despite this growth, the field is still characterized by what sociologist Keith Kahn-Harris has called “undoubtedly the most critical weakness in metal studies as it stands: the relative paucity of detailed musicological analyzes on metal” (Kahn-Harris 2011, 252). This blind spot in the literature is so pervasive that Sheila Whiteley began her preface to Andrew Cope's Black Sabbath and the Rise of Heavy Metal Music with the exclamation, “At last! A book about heavy metal as music ” (Cope 2010, xi). As the first book-length musicological study of extreme metal, this dissertation responds to this critical gap by outlining, in previously unattempted detail, a wide range of genre conventions and semiotic codes that form the basis of aesthetic expression in extreme metal. Using an interdisciplinary mixture of literary genre theory, semiotics, music theory and analysis, acoustics, and linguistics, this dissertation presents a broad overview of extreme metal's musical, verbal, and visual-symbolic systems of meaning. Part I: Interconnected Contexts and Paratexts begins with a critical survey of genre taxonomies, showing how their implicit logic masks value judgments and overlooks aspects of genre that are counterintuitive. This leads to an investigation of boundary discourses that reveals how fans define extreme metal negatively according to those subgenres and categories of identity that they treat as abject Others: nu metal, screamo, and deathcore as well as their associations with blackness, femininity, and adolescence . Part I concludes with a thick description of death metal and black metal that shows how its lyrics, album reviews, album artwork, band logos, and font styles collectively provide messages about the semantics of genre, most notably by drawing upon archetypes of the sublime and , in the case of raw black metal, Part II: Analyzing Musical Texts synthesizes large corpus studies of musical recordings with close readings of individual songs. This section begins with a demonstration of how technical death metal bands Cannibal Corpse, Demilich, and Spawn of Possession play with listener expectations towards meter, syntax, and musical complexity to create pleasurable forms of disorientation that reward active and repeated listenings. It proceeds to investigate musical accessibility and formal salience in melodic death metal, showing through examples by In Flames and Soilwork how the notion of melody pervades this musicand contributes to its sense of rhetoric. Part II concludes with a study of musical expression in extreme metal vocals. Using discussions and recordings from a vocalist participant, a corpus study of eighty-five songs that begin with wordless screams, and close readings of excerpts by Morbid Angel, Zimmers Hole, and At the Gates, I demonstrate that the acoustical features of vowel formants are central to vocal expression in extreme metal, enabling vocalists to mimic large beasts in a way that fans find convincing and powerful. |
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | McGill University | Place of Publication | Montreal | Editor | |
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| ISSN | ISBN | 9798597046549 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ smialek_genre_2016 | Serial | 689 | ||
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| Author | Radovanović, Bojana | ||||
| Title | Ideologies and Discourses: Extreme Narratives in Extreme Metal Music | Type | Journal Article | ||
| Year | 2016 | Publication | AM Journal of Art and Media Studies | Abbreviated Journal | |
| Volume | 10 | Issue | Pages | 51-58 | |
| Keywords | Ideology; Extreme metal; Discourses | ||||
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| ISSN | 2406-1654 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ radovanovic_ideologies_2016 | Serial | 691 | ||
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| Author | Manea, Irina Maria | ||||
| Title | Primal Roots: Ancestry and Race in Extreme Music Discourses | Type | Book Chapter | ||
| Year | 2015 | Publication | Proceedings of IAC-SSaH 2015: International Academic Conference on Social Sciences and Humanities in Prague 2015 | Abbreviated Journal | |
| Volume | Issue | Pages | 185-193 | ||
| Keywords | Extreme Metal; Cultural Identity; Race | ||||
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| Publisher | Czech Technical University in Prague | Place of Publication | Prag | Editor | |
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| ISSN | ISBN | 978-80-905791-2-5 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ manea_primal_2015 | Serial | 709 | ||
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| Author | Hoad, Catherine; Whiting, Samuel | ||||
| Title | True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal | Type | Journal Article | ||
| Year | 2017 | Publication | M/C Journal | Abbreviated Journal | |
| Volume | 20 | Issue | 6 | Pages | n..p. |
| Keywords | Extreme Metal | ||||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 1441-2616 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ hoad_true_2017 | Serial | 711 | ||
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| Author | Kahn-Harris, Keith | ||||
| Title | ‘Roots’? the relationship between the global and the local within the Extreme Metal scene | Type | Journal Article | ||
| Year | 2000 | Publication | Popular Music | Abbreviated Journal | |
| Volume | 19 | Issue | 1 | Pages | 13-30 |
| Keywords | Sociology; Extreme Metal; Globalization | ||||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ kahn-harris_roots_2000 | Serial | 931 | ||
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| Author | Harbert, Benjamin J. | ||||
| Title | Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha | Type | Book Chapter | ||
| Year | 2013 | Publication | The Arab Avant-Garde: Music, Politics, Modernity | Abbreviated Journal | |
| Volume | Issue | Pages | 229-272 | ||
| Keywords | Extreme Metal; Non-Western scenes; Egypt | ||||
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| Publisher | Wesleyan University Press | Place of Publication | Middletown | Editor | Burkhalter, Thomas; Dickinson, Kay; Harbert, Benjamin J. |
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| ISSN | ISBN | 978-0-8195-7387-2 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ burkhalter_noise_2013 | Serial | 1112 | ||
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