| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Wang, Yuan |
Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
219-229 |
| Riches, Gabby |
Sensuous Entanglements, Assemblages And Convergences: Extreme Metal Scenes As ‘Sensory Communities’ |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
265-273 |
| Hoad, Catherine |
Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
300-308 |
| Grund, Cynthia M. |
The Sounds Of Metal: A Proposal For The Interpretation Of Extreme Metal As Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
374-382 |
| Riches, Gabrielle |
Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality |
2011 |
Journal for Cultural Research |
15 |
315-332 |
| Kahn-Harris, Keith |
End of the World Music: Is Extreme Metal the Sound of the Apocalypse |
2009 |
The end all around us: apocalyptic texts and popular culture |
|
22-42 |
| Kahn-Harris, Keith |
Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene’ |
2004 |
After subculture: critical studies in contemporary youth culture |
|
107-118 |
| Kahn-Harris, Keith |
Nem látványos szubkultúra? Határátlépés és hétköznapiság a globális extrém metal színtéren [Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene] |
2009 |
Replika |
65 |
165-175 |
| Kahn-Harris, Keith |
Ein Verwaistes Land? Israel und die Extreme Metal-Szene |
2001 |
Testcard |
6 |
|
| Campoy, Leonardo C. |
Trevas na cidade: o underground do metal extremo no brasil |
2008 |
|
|
|
