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Connole, E. (2020). On the Meaning of Style: Black Metal’s “Black”. In K. Gildart, A. Gough-Yates, S. Lincoln, B. Osgerby, L. Robinson, J. Street, et al. (Eds.), Hebdige and Subculture in the Twenty-First Century (pp. 135–168). Cham: Palgrave Macmillan.
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Hagen, R. (2020). Darkthrone’s “A Blaze in the Northern Sky”. London: Bloomsbury Publishing.
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Schmidt, A. (2020). Unten und im Norden: Mythische Bildsprache, Kunst und (Sub-)Kultur in der nordischen Schaffensperiode Helrunars. NORDEUROPAforum – Zeitschrift für Kulturstudien, Jhg. 2020, 194–227.
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Nowakowski, A. E. (2020). “Horns Up!” The Horned Hand as the Emblematic Gesture of the Metal Subculture. Półrocznik Językoznawczy Tertium, 5(2), 62–82.
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Wallach, J. (2020). Global Rock as Postcolonial Soundtrack. In A. Moore, & P. Carr (Eds.), The Bloomsbury Handbook of Rock Music Research (pp. 469–485). New York: Bloomsbury.
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Lake, D. (2020). USBM: A Revolution of Identity in American Black Metal. Decibel Books.
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Feria del Libro Heavy. (2020). Cultura metálica 6: ponencias, debates y exposiciones de la 6a Feria del Libro Heavy de Buenos Aires. Buenos Aires: Clara Beter Ediciones.
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Mudrian, A. (Ed.). (2020). The Decibel Hall of Fame Anthology: Volume III. dB Books.
Abstract: Decibel Books is proud to announce the publication of The Decibel Hall of Fame Anthology: Volume III. Our latest limited edition, webstore exclusive includes 25 more Hall of Fame stories from our revered monthly series of artist interviews on the making of their classic extreme music albums.
In addition to reintroducing many Hall of Fame pieces from long out-of-print issues of Decibel, The Decibel Hall of Fame Anthology: Volume III also includes a previously unreleased bonus feature on the making of Bloodbath’s death metal classic Nightmares Made Flesh. 364 pages, hardcover.
Keywords: Judas Priest, Satan, Hellhammer, Kreator, King Diamond, Candlemass, Napalm Death, Tormentor, Judge, Dismember, Ripping Corpse, Entombed, Cynic, Focus, My Dying Bride, Carcass, Cradle of Filth, Deadguy, Cryptopsy, Emperor, Refused, Opeth, Watain, Mastodon, Bloodbath.
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Burns, L. (2020). Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music. American Music Perspectives, 1(2), 98–118.
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Burns, L. (2020). Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017). In K. A. Hansen, E. Askeroi, & F. Jarman (Eds.), Popular Musicology and Identity: Essays in Honour of Stan Hawkins (196–217). Routledge.
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