| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Minore, Gito |
Heavenly Hosts and Other Demons: Reflections Concerning a Difficult and Transversal Relationship in the History of Our Heavy Music |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
28-45 |
| Bernal, Manuel; Caballero, Manuel |
Walkabout, Just Walking about for the Sake of Walking: The Journey as an Ethos in the Poetics of Ricardo Iorio |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
46-57 |
| Pisano, Juan Ignacio |
Passion and Ethics: A Space for Voice and Tradition in Iorio’s Lyrics |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
58-71 |
| Alasia, Ezequiel |
The Reason Behind My Writing: Another Day of Being |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
72-83 |
| Scaricaciottoli, Emiliano |
Piedra Libre: Referential Tensions in Argentinean Heavy Metal. Lyrics Since the Political Crisis of 2001/2002 |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
84-99 |
| Crowcroft, Orlando |
Rock in a Hard Place: Music and Mayhem in the Middle East |
2017 |
|
|
|
| Baulch, Emma |
Gesturing elsewhere: The identity politics of the Balinese death/thrash metal scene |
2003 |
Popular Music; Cambridge |
22 |
195-215 |
| LeVine, Mark |
Heavy metal Muslims: the rise of a post-Islamist public sphere |
2008 |
Contemporary Islam; Dordrecht |
2 |
229-249 |
| LeVine, Mark |
Heavy metal Islam: rock, resistance, and the struggle for the soul of Islam |
2008 |
|
|
|
| Zheng, Yu |
”The screaming successor”: Exploring the Chinese metal scene in contemporary Chinese society (1996-2015) |
2016 |
|
|
|
