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Taylor, L. W. (2010). Extreme politics and extreme metal: strange bedfellows or fellow travellers? In N. Scott (Ed.), The metal void: first gatherings (pp. 175–210). Oxford: Inter-Disciplinary Press.
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Kahn-Harris, K. (2011). ”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 200–227). Durham: Duke University Press.
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Samlhofer, A. (2011). Grindcore – eine ›extreme‹ Mutation des Metals? Zur Diskursivierung des Grindcore. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 207–224). Münster: Lit.
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Petrovic, P. (2017). Beyond ‘forms of aggression’: teaching extreme metal in the composition classroom. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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Overell, R. (2014). Affective intensities in extreme music scenes: cases from Australia and Japan. Basingstoke: Palgrave Macmillan.
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Helden, I. von. (2010). Scandinavian metal attack: the power of Northern Europe in extreme metal. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 31–41). Oxford: Inter-Disciplinary Press.
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Phillipov, M., & Olson, B. H. (2013). Extreme music for extreme people? Norwegian black metal and transcendent violence. In T. Hjelm, K. Kahn-Harris, & M. LeVine (Eds.), Heavy metal: controversies and countercultures (pp. 152–165). Bristol: Equinox.
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Allett, N. (2013). The extreme metal ‘connoisseur’. In T. Hjelm, K. Kahn-Harris, & M. LeVine (Eds.), Heavy metal: controversies and countercultures (pp. 166–181). Bristol: Equinox.
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Nordström, S. (2016). Contextualizing Extreme-Metal Music: The Case of the Swedish Metal Nursery. In A. Björnberg, & T. Bossius (Eds.), Made in Sweden: Studies in Popular Music (pp. 121–130). Taylor & Francis.
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Wang, Y. (2015). Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 219–229). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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