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Garrett, R. D. (2023). Breaking the Shell: Masculinity in Rock and Metal Music in America, 1990-1995. Ph.D. thesis, Ohio University, Athens.
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Dukayev, A. (2023). Heteroglossia In Kazakhstani's Metal Subculture: Technologically Mediated Sonic Representation Of Authentic Metal Voices. Master's thesis, Nazarbayev University, Astana.
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Soares Espindola, M. (2023). Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers. Master's thesis, University of Alberta, Alberta.
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Kruk, J., & Robertson, W. C. (2023). An annotated interview with Beastwars: Language, identity and place in New Zealand metal. Perfect Beat, 22(1), s. p.
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Hoffin, K. (2023). The Norwegian Black Metal Second Wave. In E. Peters (Ed.), (pp. 27–38). Abingdon & New York: Routledge.
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James, K. (2023). Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality. In E. Peters (Ed.), Music in Crime, Resistance, and Identity (pp. 52–62). Abingdon & New York: Routledge.
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Anesiadis, A., & Scarpelos, Y. (2023). Heroes of the Metal Underground: The Definitive Guide to 1980s American Independent Metal Bands. Port Townsend: Feral House.
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Koplow Villavicencio, J. (2023). More than Screams and Distortion: Chilean Metal Against the Ecological Crises and the Extractivist Economic Model. SEM Student News, 19(1).
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Pérez Pelayo, M. (2023). The Legacy of the Sun: Cemican, Mesoamerican instruments, and their materiality in metal music. Riffs: Experimental Writing on Popular Music, 7(1), 7–21.
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Zulfiningrum, R., & Almayda, S. R. D. (2023). Metal Music as a Medium of Da'wah Communication (Album “7:172” Band Purgatory). Riwayat: Educational Journal of History and Humanities,, 6(2), 468–477.
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