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Riches, G. (2015). Sensuous Entanglements, Assemblages And Convergences: Extreme Metal Scenes As ‘Sensory Communities’. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 265–273). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Hoad, C. (2015). Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 300–308). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Grund, C. M. (2015). The Sounds Of Metal: A Proposal For The Interpretation Of Extreme Metal As Music. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 374–382). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Kitteringham, S. (2014). Extreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore. Ph.D. thesis, University of Calgaru, Calgary.
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Patterson, J. E. (2016). ‘Getting My Soul Back’: Empowerment Narratives and Identities among Women in Extreme Metal in North Carolina. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 245–260). New York & London: Routledge.
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Vasan, S. (2016). Gender and Power in the Death Metal Scene: A Social Exchange Perspective. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 261–276). New York & London: Routledge.
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Swist, J. J. (2019). Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal. Metal Music Studies, 5(1), 35–51.
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Vallen, S. (2019). ’A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage. In C. Hoad (Ed.), Australian Metal Music (pp. 37–54). London: Emerald.
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St-Laurent, M. - R. (2016). Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh. Metal Music Studies, 2(1), 87–108.
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Grant, S. (2017). Resistants, stimulants and weaponization: Extreme metal music and empowerment in the Iraqi and Syrian civil conflicts. Metal Music Studies, 3(2), 175–200.
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