| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Riches, Gabby |
Sensuous Entanglements, Assemblages And Convergences: Extreme Metal Scenes As ‘Sensory Communities’ |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
265-273 |
| Hoad, Catherine |
Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
300-308 |
| Grund, Cynthia M. |
The Sounds Of Metal: A Proposal For The Interpretation Of Extreme Metal As Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
374-382 |
| Kitteringham, Sarah |
Extreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore |
2014 |
|
|
|
| Patterson, Jamie E. |
‘Getting My Soul Back’: Empowerment Narratives and Identities among Women in Extreme Metal in North Carolina |
2016 |
Global metal music and culture: current directions in metal studies |
|
245-260 |
| Vasan, Sonia |
Gender and Power in the Death Metal Scene: A Social Exchange Perspective |
2016 |
Global metal music and culture: current directions in metal studies |
|
261-276 |
| Swist, Jeremy J. |
Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal |
2019 |
Metal Music Studies |
5 |
35-51 |
| Vallen, Sam |
’A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage |
2019 |
Australian Metal Music |
|
37-54 |
| St-Laurent, Méi-Ra |
Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh |
2016 |
Metal Music Studies |
2 |
87-108 |
| Grant, Sam |
Resistants, stimulants and weaponization: Extreme metal music and empowerment in the Iraqi and Syrian civil conflicts |
2017 |
Metal Music Studies |
3 |
175-200 |
