| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Anselmi, J.J. |
Doomed to fail: the incredibly loud history of doom, sludge, and post-metal |
2020 |
|
|
|
| Patterson, Dayal |
Black Metal: Into The Abyss |
2020 |
|
|
|
| Höpflinger, Anna-Katharina |
Religiöse Codes in der Populärkultur: Kleidung der Black Metal-Szene |
2020 |
|
|
|
| Pichler, Peter |
Metal Music, Sonic Knowledge, and the Cultural Ear in Europe since 1970 A Historiographic Exploration |
2020 |
|
|
|
| Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Rivera-Segarra, Eliut (eds) |
Heavy metal music in Latin America: perspectives from the distorted south |
2020 |
|
|
|
| Stratton, Jon |
KISS: Jewishness, hard rock and the Holocaust |
2020 |
Metal Music Studies |
6 |
277-297 |
| Jackson, Itay |
From ”The Fading” to ”Scream with Me Never Again!”: Shoah and Jewish identity in Israeli and US metal |
2020 |
Metal Music Studies |
6 |
299-318 |
| Williams, Dominic |
Embodying the Auschwitz ”Sonderkommando” in extreme metal |
2020 |
Metal Music Studies |
6 |
319-336 |
| Kopanski, Reinhard |
”Auschwitz awaits”: Different readings on Sabaton’s ”The Final Solution” (2010) and the question of irony |
2020 |
Metal Music Studies |
6 |
337-357 |
| Pieper, Henning |
The SS in heavy metal lyrics |
2020 |
Metal Music Studies |
6 |
359-374 |
