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Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Medina, Javier S. |
Leather, spikes, and chains. The influenec of gay culture in punk, hard rock, and heavy metal music |
2017 |
|
|
|
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|
|
Miller, Jason |
What Makes Heavy Metal “Heavy”? |
2021 |
The Journal of Aesthetics and Art Criticism |
80 |
70-82 |
|
|
|
Marjenin, Peter A. |
The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani |
2014 |
|
|
|
|
|
|
Reis Alecrim, Thales |
The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987) |
2021 |
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Varas-Díaz, Nelson; Hickam, Brian; González-Martínez, Susana; Castañeda, Mario; Galicia Poblet, Fernando; Nieves Molina, Alfredo; Scaricaciottoli, Emiliano |
“Toda la sangre formando un río”. Contributions to the histories of metal music studies from the Spanish-speaking world |
2022 |
Metal Music Studies |
8 |
47-68 |
|
|
|
Valijärvi, Riitta-Liisa |
Cultural trauma in the lyrics of the Estonian folk metal band Metsatöll |
2022 |
Metal Music Studies |
8 |
7-27 |
|
|
|
James, Kieran Edmond; Walsh, Rex John |
Masculinity and underground music scene participation across time: A case study from Indonesia |
2022 |
Metal Music Studies |
8 |
29-46 |
|
|
|
Hurley, Gavin F. |
Funeral doom metal as the rhetoric of contemplation: A Burkean perspective |
2022 |
Metal Music Studies |
8 |
69-85 |
|
|
|
Gibson, Dylan Lawrence |
Mechanical and artificial “nü-horror metal”: The film music of “Resident Evil” |
2022 |
Metal Music Studies |
8 |
87-108 |
|
|
|
Herbst, Jan-Peter |
“Keeper of the Seven Keys”: Audio heritage in metal music production |
2022 |
Metal Music Studies |
8 |
109-126 |
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