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Author | Mailén Padilla, Ludmila | ||||
Title | Crear es resistir resistir es crear. | Type | Magazine Article | ||
Year | 2022 | Publication | Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras | Abbreviated Journal | |
Volume | 1 | Issue | 1 | Pages | 34-35 |
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Abstract | REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. | ||||
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Corporate Author | Thesis | ||||
Publisher | REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) | Place of Publication | Autonomous City of Buenos Aires, Argentine Republic | Editor | |
Language | español | Summary Language | Original Title | ||
Series Editor | Series Title | Abbreviated Series Title | |||
Series Volume | Series Issue | Edition | |||
ISSN | 2953-3805 | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes ![]() |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ | Approved | yes | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2414 | ||
Permanent link to this record | |||||
Author | Pelejero, Victoria | ||||
Title | Black metal desde el fin del mundo. | Type | Magazine Article | ||
Year | 2022 | Publication | Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras | Abbreviated Journal | |
Volume | 1 | Issue | 1 | Pages | 32-33 |
Keywords | |||||
Abstract | REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. | ||||
Address | |||||
Corporate Author | Thesis | ||||
Publisher | REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) | Place of Publication | Autonomous City of Buenos Aires, Argentine Republic | Editor | |
Language | español | Summary Language | Original Title | ||
Series Editor | Series Title | Abbreviated Series Title | |||
Series Volume | Series Issue | Edition | |||
ISSN | 2953-3805 | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes ![]() |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ | Approved | yes | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2415 | ||
Permanent link to this record | |||||
Author | Ortiz Cuchivague, Karen | ||||
Title | Paroxis Histérica un podcast feminista antirracista y decolonial. | Type | Magazine Article | ||
Year | 2022 | Publication | Abbreviated Journal | ||
Volume | 1 | Issue | 1 | Pages | |
Keywords | |||||
Abstract | REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. | ||||
Address | |||||
Corporate Author | Thesis | ||||
Publisher | REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) | Place of Publication | Autonomous City of Buenos Aires, Argentine Republic | Editor | |
Language | español | Summary Language | Original Title | ||
Series Editor | Series Title | Abbreviated Series Title | |||
Series Volume | Series Issue | Edition | |||
ISSN | ISBN | Medium | |||
Area | Expedition | Conference | |||
Notes ![]() |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ | Approved | yes | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2416 | ||
Permanent link to this record | |||||
Author | Córdoba Romero, Jesús Antonio | ||||
Title | Metal to the Bone: Falta de autocrítica y feminismo dentro del metal. | Type | Magazine Article | ||
Year | 2022 | Publication | Abbreviated Journal | ||
Volume | 1 | Issue | 1 | Pages | 28-29 |
Keywords | |||||
Abstract | REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. | ||||
Address | |||||
Corporate Author | Thesis | ||||
Publisher | REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) | Place of Publication | Autonomous City of Buenos Aires, Argentine Republic | Editor | |
Language | español | Summary Language | Original Title | ||
Series Editor | Series Title | Abbreviated Series Title | |||
Series Volume | Series Issue | Edition | |||
ISSN | 2953-3805 | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes ![]() |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ | Approved | yes | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2417 | ||
Permanent link to this record | |||||
Author | Núñez, María de la Luz | ||||
Title | Crítica feminista a través de la técnica de voz gutural: el caso Vofemex. | Type | Magazine Article | ||
Year | 2022 | Publication | Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras | Abbreviated Journal | |
Volume | 1 | Issue | 1 | Pages | 26-27 |
Keywords | |||||
Abstract | REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. | ||||
Address | |||||
Corporate Author | Thesis | ||||
Publisher | REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) | Place of Publication | Autonomous City of Buenos Aires, Argentine Republic | Editor | |
Language | español | Summary Language | Original Title | ||
Series Editor | Series Title | Abbreviated Series Title | |||
Series Volume | Series Issue | Edition | |||
ISSN | 2953-3805 | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes ![]() |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ | Approved | yes | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2418 | ||
Permanent link to this record | |||||
Author | Saavedra Rodríguez, Milen Graciela | ||||
Title | Metal y feminismo(s) en Bolivia: Entre la denuncia y la visibilización. | Type | Magazine Article | ||
Year | 2022 | Publication | Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras | Abbreviated Journal | |
Volume | 1 | Issue | 1 | Pages | 24-25 |
Keywords | |||||
Abstract | REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. | ||||
Address | |||||
Corporate Author | Thesis | ||||
Publisher | REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) | Place of Publication | Autonomous City of Buenos Aires, Argentine Republic | Editor | |
Language | español | Summary Language | Original Title | ||
Series Editor | Series Title | Abbreviated Series Title | |||
Series Volume | Series Issue | Edition | |||
ISSN | 2953-3805 | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes ![]() |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ | Approved | yes | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2419 | ||
Permanent link to this record | |||||
Author | Heesch, Florian | ||||
Title | Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) | Type | Journal Article | ||
Year | 2018 | Publication | Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines | Abbreviated Journal | |
Volume | 11 | Issue | Pages | 1-18 | |
Keywords | Aggression, Death metal, Gender and music, Vocal practice, vocal sound | ||||
Abstract | Issue theme: Actes du colloque: Rock et violences en Europe: Metal et violence. - Résumé: Growling can be regarded as a key aesthetic practice of death metal. This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. In 2001 Angela Gossow became the singer of the band Arch Enemy and has since established herself as one of the most outstanding female growlers within the global metal scene. An analytical look at Gossow’s individual vocal style will be applied to argue that growling could potentially contribute to a more complex understanding of how voice, gender and aggression are related. This article examines the musical phenomenon of death metal growling, as well as the marginalization of women in what has been conceived as a primarily masculine style. |
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Address | https://journals.openedition.org/ | ||||
Corporate Author | Thesis | ||||
Publisher | OpenEdition Journals (Centre pour l'Édition Électronique Ouverte) | Place of Publication | Marseille, France | Editor | |
Language | English | Summary Language | Original Title | ||
Series Editor | Series Title | Abbreviated Series Title | |||
Series Volume | Series Issue | Edition | |||
ISSN | 2108-6907 | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes ![]() |
https://en.wikipedia.org/wiki/Centrepourl%27%C3%89dition%C3%89lectroniqueOuverte | Approved | no | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2320 | ||
Permanent link to this record | |||||
Author | Kotila, Sanna | ||||
Title | Frost, Blood and a Thousand Lakes: Representing Finnishness in Metal Lyrics | Type | Book Whole | ||
Year | 2012 | Publication | Abbreviated Journal | ||
Volume | Issue | Pages | |||
Keywords | black metal, discourse, Finland, representation, articulation, national identity, the narrative of the nation, metal lyrics | ||||
Abstract | << Tutkielmassani selvitän, millaisena suomalaisuus artikuloituu viime vuosien kansainväliselle yleisölle suunnatussa, englanninkielisessä metallilyriikassa. Tutkielmani pohjaa teoreettisesti ajatukselle, että kansallista kulttuuria ja identiteettiä rakennetaan ja tuotetaan diskursiivisesti. Benedict Anderson luonnehtii valtiota kielen avulla kuviteltuna ja määriteltynä yhteisönä. Kansallinen diskurssi tuottaa yhteisöllisyyttä, se määrittelee ”meidät” erityislaatuisina. Kansallisvaltio on käsitteenä historiallisesti suhteellisen uusi, ja jokainen kansakunta on kulttuurisesti hybridi. Silti diskurssin avulla kansakunnasta luodaan representaatio, joka esittää sen olleen olemassa jo määrittelemättömän kauan, ja joka esittää sen olevan kulttuurisesti homogeeninen. Stuart Hallin teorioima ”kansallinen narratiivi” on metafora, joka asettaa kaikki tiettyä kansallisuutta kuvaavat esitykset yhteyteen. Niistä syntyy kansallinen kertomus, jossa painottuvat usein toistetut kansallisuutta kuvaavat elementit, viitteet ja symboliikka. Mitä enemmän jotain kuvausta toistetaan, sitä itsestään selvempänä se alkaa näyttäytyä, ja sitä vaikeampi se on haastaa, vaikka se ei vastaisikaan totuutta. Tässä piilee diskursiivisuuden voima. Kansalliseen keskusteluun osallistuvat saattavat toistaa vallalla olevia käsityksiä jopa tiedostamattaan. Tutkimusaineistossani suomalaisuuden elementit; symbolit ja erilaiset viittaukset artikuloituvat metallilyriikan aineksiksi. Kontekstualisointi on keskeisin tekniikkani analysoidessani lyriikoita, tästä syystä myös Deena Weinsteinin teoria metallidiskurssista on oleellinen osa teoriapohjaani. Jotkin viittaukset paljastavat monitahoisen merkityksensä vain, kun ne luetaan asetettuna metallidiskurssin ja kansallisen diskurssin leikkauskenttään. Aineistokseni olen valinnut seitsemän laulun lyriikat, joista jokainen lähestyy suomalaisuutta hieman eri näkökulmasta ja eri painotuksin. Jokainen laululyriikoista muodostaa omanlaisensa kuvan suomalaisuudesta. Pohdin tutkielmassani lyriikoiden ”kertojien” positioitumista suhteessa suomalaisuuteen. Lyriikoiden suomalaisuus artikuloituu suhteessa toisiin kansallisuuksiin, mutta myös suhteessa valtion sisäiseen dynamiikkaan. Tärkeitä viitekehyksiä ovat kansallisessa diskurssissa keskeiset ja myös perinteiset: kansakunnan näkeminen perheenomaisena, valtion näkeminen kotina, kansallinen luonto ja kansallismaisema, mentaliteetti, sekä poliittinen historia. Lopuksi pohdin vaikutteita, jotka näyttävät kumpuavan kansallislaulugenrestä; tutkimusaineistoni metallilyriikoilla ja Maamme-laululla on yllättävän paljon yhteistä. >> |
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Address | Finnish: Vaasan yliopisto; Swedish: Vasa universitet | ||||
Corporate Author | Thesis | Master's thesis | |||
Publisher | University of Vaasa | Place of Publication | Vaasa, Finland | Editor | Mäntymäki, Tiina (Supervisor) |
Language | English | Summary Language | Finnish | Original Title | |
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Faculty of Philosophy, English Studies; not found in ProQuest Dissertations & Theses Global database | Approved | no | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2522 | ||
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Author | Rodríguez, Pablo | ||||
Title | Encuentro de Ritmos Tradicionales con Distorsiones del Mundo: Propuestas musicales ecuatorianas donde conviven el rock y la música tradicional. | Type | Magazine Article | ||
Year | 2020 | Publication | R-ZINE | Abbreviated Journal | |
Volume | 1 | Issue | Pages | 14-25 | |
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Corporate Author | Thesis | ||||
Publisher | Sociedad Anómica; Universidad San Francisco de Quito | Place of Publication | San Francisco de Quito, Republic of Ecuador | Editor | Viteri, Juan Pablo |
Language | Spanish | Summary Language | Original Title | ||
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Series Volume | Series Issue | Edition | |||
ISSN | ISBN | Medium | Google Doc | ||
Area | Expedition | Conference | |||
Notes ![]() |
Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. | Approved | no | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2294 | ||
Permanent link to this record | |||||
Author | Viteri, Juan Pablo | ||||
Title | DIABLO-HUMA [AYA-UMA]: Fuerza ancentral música independiente. | Type | Magazine Article | ||
Year | 2020 | Publication | R-ZINE | Abbreviated Journal | |
Volume | 1 | Issue | Pages | 26-37 | |
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Publisher | Sociedad Anómica; Universidad San Francisco de Quito | Place of Publication | San Francisco de Quito, Republic of Ecuador | Editor | |
Language | Spanish | Summary Language | Original Title | ||
Series Editor | Series Title | Abbreviated Series Title | |||
Series Volume | Series Issue | Edition | |||
ISSN | ISBN | Medium | Google Doc | ||
Area | Expedition | Conference | |||
Notes ![]() |
Este primer número de R-ZINE fue financia do por la Universidad San Francisco de Qui to USFQ (Ecuador) a través de su programa de Grants de Producción Creativa (grant 2019-2020) del Decanato de Investigación. R-Zine es un proyecto de investigación creativa del Colegio de Comunicación y Artes Contemporáneas (COCOA). Diez Años De Música Independiente. | Approved | no | ||
Call Number | INTech @ brianhickam2019 @ | Serial | 2295 | ||
Permanent link to this record |