| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Rogers, Anna S.; Deflem, Mathieu |
Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture |
2021 |
|
|
|
| Swiniartzki, Marco |
Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) |
2021 |
Journal of Popular Music Studies |
33 |
168-193 |
| Kinnunen, Maarit; Honkanen, Antti |
Femininity in metal fanship: “I do not need to take anyone along” |
2021 |
Metal Music Studies |
7 |
211-235 |
| Sackl-Sharif, Susanne |
The dark side of blogging: Digital metal communities and metal influencers |
2021 |
Metal Music Studies |
7 |
237-255 |
| Brown, Andy R. |
Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91 |
2021 |
Metal Music Studies |
7 |
257-276 |
| Hannan, Calder |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
2021 |
Metal Music Studies |
7 |
277-297 |
| Mora-Rioja, Arturo |
“We Are the Dead”: The War Poets, metal music and chaos control |
2021 |
Metal Music Studies |
7 |
299-315 |
| Doesburg, Charlotte |
Of heroes, maidens and squirrels: Reimagining traditional Finnish folk poetry in metal lyrics |
2021 |
Metal Music Studies |
7 |
317-333 |
| Burns, Lori A.; Armstrong, Patrick |
Structuring subjectivity: Pain of Salvation’s “The Perfect Element”: Part I (2000) |
2021 |
Metal Music Studies |
7 |
357-382 |
| Deacon, David |
“Another Version of the Truth”: The politics of affect and the externalization of threat in Trent Reznor’s Year Zero |
2021 |
Metal Music Studies |
7 |
383-397 |
