| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Kahn-Harris, Keith |
‘Roots’? the relationship between the global and the local within the Extreme Metal scene |
2000 |
Popular Music |
19 |
13-30 |
| Riches, Gabrielle |
Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality |
2011 |
Journal for Cultural Research |
15 |
315-332 |
| Kahn-Harris, Keith |
End of the World Music: Is Extreme Metal the Sound of the Apocalypse |
2009 |
The end all around us: apocalyptic texts and popular culture |
|
22-42 |
| Kahn-Harris, Keith |
Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene’ |
2004 |
After subculture: critical studies in contemporary youth culture |
|
107-118 |
| Kahn-Harris, Keith |
Nem látványos szubkultúra? Határátlépés és hétköznapiság a globális extrém metal színtéren [Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene] |
2009 |
Replika |
65 |
165-175 |
| Kahn-Harris, Keith |
An Orphaned Land? Israel and the Global Extreme Metal Scene |
1999 |
New voices in Jewish thought. Vol. 2 Vol. 2 |
|
1-21 |
| Kahn-Harris, Keith |
Ein Verwaistes Land? Israel und die Extreme Metal-Szene |
2001 |
Testcard |
6 |
|
| Campoy, Leonardo C. |
Trevas na cidade: o underground do metal extremo no brasil |
2008 |
|
|
|
| Campoy, Leonardo C. |
Trevas sobre a luz: O Underground do Heavy Metal Extremo no Brasil |
2010 |
|
|
|
| Hutcherson, Ben; Haenfler, Ross |
Musical genre as a gendered process: Authenticity in extreme metal |
2010 |
Studies in Symbolic Interaction |
35 |
101-121 |
