Author |
Title |
Year |
Publication |
Volume |
Pages |
García Castiblanco, Norma; Cáceres Parra, Jórge |
Voces Resonantes Memoria y Resistencia. Metal en Colombia: Memorias de violencia y resistencia para la No Repetición. |
2022 |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
1 |
48-49 |
Migeon-Lambert, Camille |
Stéréotypes néo-romantiques de l'artiste Metal : le cas Lindemann |
2021 |
Identités de l'artiste – Pratiques, représentations, valeurs |
|
63-82 |
Birnie-Smith, Jess; Robertson, Wesley C. |
Superdiversity and translocal brutality in Asian extreme metal lyrics |
2021 |
Language & Communication |
81 |
48-63 |
Hassan, Nedim |
Metal on Merseyside: Music Scenes, Community and Locality |
2021 |
|
|
|
Quinn, Kate; Baines, Daniel |
Awesome metalcore therapy: using heavy metal music in therapeutic work with voices |
2021 |
The Practical Handbook of Hearing Voices: Therapeutic and creative approaches |
|
|
Herbst, Jan-Peter |
(No?) Adventures in Recording Land: Engineering Conventions in Metal Music |
2021 |
Rock Music Studies |
t.b.c. |
|
Herbst, Jan-Peter |
Nail the Mix: Standardization in Mixing Metal Music? |
2021 |
Popular Music and Society |
t.b.c. |
|
Rogers, Anna S.; Deflem, Mathieu |
Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture |
2021 |
|
|
|
Swiniartzki, Marco |
Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) |
2021 |
Journal of Popular Music Studies |
33 |
168-193 |
Kinnunen, Maarit; Honkanen, Antti |
Femininity in metal fanship: “I do not need to take anyone along” |
2021 |
Metal Music Studies |
7 |
211-235 |