| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Jordan, Jamie Boddington; Herbst, Jan-Peter |
Harmonic structures in twenty-first-century metal music: A harmonic analysis of five major metal genres |
2023 |
Metal Music Studies |
9 |
27-58 |
|
|
|
Carey, Joshua |
Pure fucking art: Self-harm and performance art in Per ‘Dead’ Ohlin’s musical legacy |
2023 |
Metal Music Studies |
9 |
101-118 |
|
|
|
Swiniartzki, Marco |
Working metal musicians: A case of transition in the long 1980s |
2023 |
Metal Music Studies |
9 |
59-75 |
|
|
|
van Doesburg, Eline |
The Rejection and Redemption of Technology in Black Metal |
2023 |
|
|
|
|
|
|
Orálková, Lucie |
Hudební analýza alba “Peace Sells... But Who’s Buying?” skupiny Megadeth [Musical analysis of the album “Peace Sells... but Who's Buying?” by Megadeth] |
2022 |
|
|
|
|
|
|
Švehla, Martin |
Vývoj tuzemského metalového fandomu v době politické transformace 90. let s přihlédnutím k olomoucké scéně [The development of the metal fandom at a time of political transformation] |
2023 |
|
|
|
|
|
|
James, Kieran |
Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality |
2023 |
Music in Crime, Resistance, and Identity |
|
52-62 |
|
|
|
Hoffin, Kevin |
The Norwegian Black Metal Second Wave |
2023 |
|
|
27-38 |
|
|
|
Kruk, Jessica; Robertson, Wesley C. |
An annotated interview with Beastwars: Language, identity and place in New Zealand metal |
2023 |
Perfect Beat |
22 |
s. p. |
|
|
|
Soares Espindola, Mariana |
Heavy, Holy, and Homey: The Role of Religious Imagery in Heavy Metal Album Covers |
2023 |
|
|
|
|
