|
Hassan, N. (2021). Metal on Merseyside: Music Scenes, Community and Locality. Cham: Palgrave Macmillan.
|
|
|
Quinn, K., & Baines, D. (2021). Awesome metalcore therapy: using heavy metal music in therapeutic work with voices. In I. Parker, J. Schnackenberg, & M. Hopfenbeck (Eds.), The Practical Handbook of Hearing Voices: Therapeutic and creative approaches. Monmouth: PCCS Books.
|
|
|
Herbst, J. - P. (2021). (No?) Adventures in Recording Land: Engineering Conventions in Metal Music. Rock Music Studies, t.b.c..
|
|
|
Herbst, J. - P. (2021). Nail the Mix: Standardization in Mixing Metal Music? Popular Music and Society, t.b.c..
|
|
|
Rogers, A. S., & Deflem, M. (2021). Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture. London: Anthem Press.
|
|
|
Swiniartzki, M. (2021). Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994). Journal of Popular Music Studies, 33(3), 168–193.
|
|
|
Kinnunen, M., & Honkanen, A. (2021). Femininity in metal fanship: “I do not need to take anyone along”. Metal Music Studies, 7(2), 211–235.
|
|
|
Sackl-Sharif, S. (2021). The dark side of blogging: Digital metal communities and metal influencers. Metal Music Studies, 7(2), 237–255.
|
|
|
Brown, A. R. (2021). Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91. Metal Music Studies, 7(2), 257–276.
|
|
|
Hannan, C. (2021). Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper”. Metal Music Studies, 7(2), 277–297.
|
|