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Author Title Year Publication Volume Pages
Hoad, Catherine; Whiting, Samuel True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal 2017 M/C Journal 20 n..p.
Zaddach, Wolf-Georg »30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal 2014 Lied und Populäre Kultur; Münster 59 227-241,293
Morris, Martin Extreme Heavy Metal Music and Critical Theory 2015 The Germanic Review 90
Sellheim, Nikolas P.; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana ‘The rage of the Northmen’: Extreme metal and North-motivated violence 2018 The Polar Record 54 339-348
Coggins, Owen Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures 2019 Popular Music; Cambridge 38
Ollivier, Rosalie; Goupil, Louise; Liuni, Marco; Aucouturier, Jean-Julien Enjoy The Violence: Is Appreciation for Extreme Music the Result of Cognitive Control Over the Threat Response System? 2019 Music Perception; Berkeley 37
Castaños, Mikel Peregrina Hidden Rituals, Secret Powers And Everlasting Horrors: The Presence Of Lovecraftian Imaginary in Spanish Recent Extreme Metal / Ritos arcanos, poderes ocultos y horrores intemporales: la presencia del imaginario lovecraftiano en el metal extremo español reciente 2019 Brumal : Revista de Investigación sobre lo Fantástico = Research Journal on the Fantastic; Bellaterra 7 81-105
Kahn-Harris, Keith ‘Roots’? the relationship between the global and the local within the Extreme Metal scene 2000 Popular Music 19 13-30
Riches, Gabrielle Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality 2011 Journal for Cultural Research 15 315-332
Kahn-Harris, Keith Nem látványos szubkultúra? Határátlépés és hétköznapiság a globális extrém metal színtéren [Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene] 2009 Replika 65 165-175