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Nenadalová, J., & Menšíková, T. (2022). “Metal Studies in Central/Eastern Europe: 1st (online) Workshop” on Extreme Music and its Academic Studies. Religio: Revue pro religionistiku, 30(1), 77–80.
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Rapatskaya, Y. O. (2022). “ТРАДИЦИОННАЯ РУССКАЯ ДРАМА”: ПРАКТИКИ САМОРЕПРЕЗЕНТАЦИИ РОССИЙСКИХ ЭКСТРИМ-МЕТАЛ ГРУПП НА ПРИМЕРЕ SECOND TO SUN И L'HOMME ABSURDE [“Traditional Russian Drama”: Practices of self-representation of Russian extreme metal bands on the example of Second to Sun and L'Homme Absurde]. Артикульт [Articult], 2(46), 44–66.
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Burns, L. (2019). Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus. In L. Burns, & S. Hawkins (Eds.), The Bloomsbury Handbook to Popular Music Video Analysis (pp. 183–200). Bloomsbury Academic.
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Swiniartzki, M. (2023). Working metal musicians: A case of transition in the long 1980s. Metal Music Studies, 9(1), 59–75.
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Fejes, J. (2017). Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music. Acta Universitatis Sapientiae, Communicatio, 4, 37–60.
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Kahrimanović, Š. (2018). Fenomen nasilja i heavy metal muzika [Phenomen Violence and Heavy metal Music]. Društvene devijacije [Social Deviations], 3, 310–319.
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Spracklen, K., Lucas, C., & Deeks, M. (2014). The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England. Popular Music and Society, 37(1), 48–64.
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Nordström, S. (2016). Contextualizing Extreme-Metal Music: The Case of the Swedish Metal Nursery. In A. Björnberg, & T. Bossius (Eds.), Made in Sweden: Studies in Popular Music (pp. 121–130). Taylor & Francis.
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Swist, J. J. (2019). Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal. Metal Music Studies, 5(1), 35–51.
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St-Laurent, M. - R. (2016). Finally getting out of the maze: Understanding the narrative structure of extreme metal through a study of ‘Mad Architect’ by Septicflesh. Metal Music Studies, 2(1), 87–108.
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