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Swist, J. (2022). “Wolves of the Krypteia”: Lycanthropy and right-wing extremism in metal’s reception of ancient Greece and Rome. Metal Music Studies, 8(3), 309–325.
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Bleile, M. L., Luedeker, B., & Patterson, C. B. (2022). A Bayesian analysis of national heavy metal subgenre prevalence in northern Europe and the West. Metal Music Studies, 8(3), 327–350.
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Swallow, R., & Herbst, J. - P. (2022). Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance. Metal Music Studies, 8(3), 351–379.
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Thomson, A., & Thomson, A. M. E. (2022). Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band. Metal Music Studies, 8(3), 381–400.
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González-Martínez, S. (2022). The didactic role of feminist art in metal music: Coven bands as a relational device for personal improvement and social justice. Metal Music Studies, 8(3), 401–421.
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Hannan, C. C. (2022). Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent”. Music Theory Online, 28(1), s.p.
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Lucas, O. R. (2021). Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show. Music Theory Online, 27(4), s.p.
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Lucas, O. R. (2021). “Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band. Popular Music, 40(2), 263–280.
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Varas-Díaz, N. (2022). El Sur Distorsionado como un cambio paradigmático para el metal y su estudio. Lenguas Radicales, 1(4), 28–41.
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Sandoval Trigo, G. M. (2022). Derecho y heavy metal: Fiat iustitia, et pereat mundus. Lenguas Radicales, 1(4), 19–27.
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