Author |
Title |
Year |
Publication ![sorted by Publication field, ascending order (up)](img/sort_asc.gif) |
Volume |
Pages |
Karjalainen, Toni-Matti |
Tales from the North and Beyond: Sounds of Origin as Narrative Discourses |
2018 |
Sounds of origin in heavy metal music |
|
1-40 |
Pilo, Baptiste |
True Norwegian Black Metal: Nationalism and Authenticity in the Norwegian Black Metal of the ‘90s |
2018 |
Sounds of origin in heavy metal music |
|
41-70 |
Frangioni, Tommaso; Masina, Filippo; Pieroni, Giulio; Venturella, Mario |
Son(g)s of Darkness: Identities in Italian Black Metal |
2018 |
Sounds of origin in heavy metal music |
|
71-94 |
Chelini, Gianluca |
Javanese Black Metal: Towards a Definition of Post-Heritage Music |
2018 |
Sounds of origin in heavy metal music |
|
95-116 |
Norman, Joseph |
From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity |
2018 |
Sounds of origin in heavy metal music |
|
117-140 |
Sage, Matt; Brooker, Caelli Jo |
Manifold Intensities: Musical Identities in Contemporary Antipodean Metalcore and Post-Hardcore |
2018 |
Sounds of origin in heavy metal music |
|
141-168 |
DiGioia, Amanda |
Love Breed or Hate Haven? Localized Narratives of Identity in Heavy Metal Scene of New Haven, Connecticut |
2018 |
Sounds of origin in heavy metal music |
|
169-190 |
DiGioia, Amanda; Naylor Davis, Charlotte |
Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
27-42 |
Heritage, Gareth |
Torment[Her] (Misogyny as an Artistic Device): Alternative Perspectives on the Misogynist Aesthetic of W.A.S.P.’s ‘The Rack’ |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
61-80 |
Yavuz, M.Selim |
Reight Mardy Tykes: Northernness, Peaceville Three and Death/Doom Music World |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
81-99 |