| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Fejes, János |
Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music |
2017 |
Acta Universitatis Sapientiae, Communicatio |
4 |
37-60 |
|
|
|
Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
|
|
|
Yépez Aguirre, Jimmy Renzo |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
2017 |
Anales Científicos |
78 |
80-91 |
|
|
|
Burns, Lori |
Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) |
2023 |
Analyzing Recorded Music: Collected Perspectives |
|
323–338 |
|
|
|
Kosek, Jakub |
Transfigurations of the “Emploi” and Artistic Manifestations of Female (Heavy) Metal Singers |
2021 |
Annales Universitatis Paedagogicae Cracoviensis |
13 |
35-46 |
|
|
|
Stašová, Gabriela; Vrzal, Miroslav; Nenadalová, Jana |
A Man Behind Everything? Motivational Sources of Metal Listening Among Female Audiences |
2022 |
Annales Universitatis Paedagogicae Cracoviensis: Studia de Cultura |
14 |
101-121 |
|
|
|
López Ramírez Gastón, José Ignacio |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
2020 |
Antec: Revista Peruana de Investigación Musical |
4 |
60-85 |
|
|
|
Swiniartzki, Marco |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
2021 |
Archiv für Sozialgeschichte |
61 |
445-472 |
|
|
|
Nink, Theresa; Heesch, Florian |
Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs |
2023 |
Arts |
12 |
38 |
|
|
|
Castillo Bernal, Stephen |
El mundo del Heavy Metal en la Ciudad de México: Radiografías imaginarias y rituales. |
2016 |
Atlas Etnográfico de los Mundos Contemporáneos |
1 |
83-117 |
|
